Do you ever get the feeling you’re invisible?

Home video offers a potentially lucrative market for beleaguered Canadian filmmakers, but at Telefilm, the emphasis remains on theatrical

Watching content on a small screen such as a mobile phone can be every bit as compelling as on a traditional TV, maintains Bernard Gershon, head of digital media at Disney-ABC Television Group.

You can’t fool us. Publicly, everyone may condemn piracy, but we’ve got a feeling that most of you know your way around BitTorrent. And yet, stealing is a touchy subject. And Cineplex or Warner Bros. might be reading this, so enjoy this special, all-anonymous edition of Burning Question, in which we ask:

CRTC chair Konrad von Finckenstein sees the commission’s recent move to phase out ad time restrictions on conventional broadcasters as a matter of letting viewers decide.

The CRTC says it will not consider a last-minute offer by CTVglobemedia to sell off three Citytv stations in the Prairies, because it was made after public hearings had closed. The proposal, filed May 7, was sent back to CGM because it was not ‘part of the public record,’ according a CRTC spokesperson.

A new report on the Canadian Television Fund is calling for major changes to how television and multimedia content are financed in Canada.

CBC has unveiled a summer schedule including the reality/contest The Second City’s Next Comedy Legend, user-generated content and an array of sports programming.

From Spielberg to von Trier to Natali (as in Vincenzo), most successful filmmakers start out with shorts, and the 13th annual Canadian Film Centre Worldwide Short Film Festival, which kicks off June 12, gives auds, whether there for business or pleasure, their chance to get in on the ground floor.

An item in the April 30 issue referred to Christmas in Wonderland as a U.S. film. It is in fact a Canadian property produced by Insight Film Studios and The Yari Film Group.

Where’s Canadian drama on the CBC?