Cineplex is making the most of its premium-priced theatres like its Imax and UltraAVX offerings to weather the ebb and flow of Canadians viewing the latest Hollywood tentpoles.
Playback catches up with director David Schultz during the shooting of his third feature film.
Director Bill Marks tells Playback Daily about harnessing the power of the web to attract production financing and a fan following for Race Dicks.
The Canadian exhibitor continues to digitize its circuit to offer 3D films and other digital attractions that command premium ticket prices.
The Vancouver film producer has made a long-awaited move to the new shop after running Insight Film Studios.
The province posts its best-ever year for domestic production at $852.1 million, up 32% from total film and TV expenditures of $646.2 million in 2010.
Entertainment One has acquired the Quebec comedy for its recently-expanded U.S. film releasing division.
Documentary Organization of Canada exec director Lisa Fitzgibbons talks to Playback Daily about the importance of an apprenticeship program that builds capacity in the doc sector.
The Newfoundland indie producer is joining L.A.-based Magus Entertainment in making an expected three low-budget film titles a year.
The government statistics agency offers a 2010 snapshot of Canadian cinema chains exploiting premium 3D ticket prices and concession sales to remain ahead of the game.
Following its release in English Canada, Monsieur Lazhar is once again the top-performing Canadian film at the box office.
B.C.-shot The Grey takes the #1 spot at the box office for the week of Jan. 27 to Feb. 2, 2012.