The study, by not-for-profit group Women in View, shows that only 17% of 130 Telefilm-funded films made in 2011 were directed by women (WIV exec director Rina Fraticelli pictured).
The 15th Montreal International Documentary Festival (RIDM) has revealed its line-up, which includes Yung Chang’s The Fruit Hunters (pictured), Leviathan, 5 Broken Cameras and Detropia.
Slaughter Nick for President (pictured) nabbed best doc at the Zagreb Film Festival, while TVO series The Water Brothers won a best newcomer prize at the Wildscreen Festival.
During the closing panel for the third annual Realscreen Branded Entertainment Forum, execs from the production, agency and network sectors discussed what branded content is, isn’t, and what it should be.
Research conducted at Emily Carr University of Art + Design’s stereoscopic 3D centre is probing the use of variable frame rates on 3D content viewing patterns by producing a short film, Soulmates 3D.
The three-year agreement will see the two public organizations pool their resources in digital markets to produce and distribute content (NFB’s Tom Perlmutter pictured).
The profit jump comes as the Canadian exhibitor continues to move closer to Hollywood, in both its technology and film offerings, to differentiate itself from competitors at the local multiplex.
The package deal sees the Toronto-based producer/distributor take all media rights to Michael Winterbottom’s Everyday (pictured), Ben Drew’s Ill Manors and Rowan Athale’s Wasteland.
“Canada continues to be a very strong market for us. Two years have passed since launch, and our subscriber growth is steady to slightly accelerating,” the U.S. video streaming giant said as it released its latest financial results.
Canadian festival Hot Docs is hosting a special one-off fundraising screening of acclaimed 2009 doc Big River Man, in a bid to raise money to support the film’s director John Maringouin (pictured).