Director Denis Delestrac recalls the over-long and over-budget making of his Pax Americana at Montreal fest
Latest doc from EyeSteelFilm opens Montreal festival with a bang, tracing globalization’s effects through a Chinese family
The Guild of Canadian Film Composers may have been operating since 1980, but it still hasn’t made a point. In fact, the Canadian Audio-Visual Certification Office of the Department of Canadian Heritage won’t give a producer even half a point for employing a local composer. It’s something that Marvin Dolgay, the guild’s president, and Maria Topalovich, its executive director, would like to see change in the near future. After all, it can affect whether a Canadian composer is employed – or not.
Rudy Buttignol may be Canadian broadcasting’s documentary guru but don’t expect him to be pretentious or boring.
Province’s deputy premier praises festival’s ‘economic stimulus’ with grant towards Bell Lightbox
Hugh Hefner’s image in the public mind is practically indelible. He’s the aging Lothario of the Playboy empire, an enterprise built on Bunnies, booze and the hedonistic lifestyle of the ’60s.
Though Cairo Time is her first feature at TIFF, Ruba Nadda is no neophyte. Sabah, the 36-year-old director’s drama starring Arsinée Khanjian and produced by Atom Egoyan, had a successful international festival run.
What happens when a visionary filmmaker makes a documentary on an important environmental issue?
Piano virtuoso Glenn Gould was a sensation in the late 1950s, a genuine Canadian icon who hit the heights of international acclaim after his recording of The Goldberg Variations became a best-selling classical disc.
It is no easy feat to sum up Maria Topalovich, but her friend, colleague and Hall of Fame alum, Trina McQueen, does it best.
Few meetings in Canadian film history have been as momentous as the one that took place in Manhattan between the National Film Board’s pioneering commissioner John Grierson and the mild-mannered, immensely talented Glaswegian animator Norman McLaren in mid-1941.
‘I come from making short films that cost me $500,’ says Ruba Nadda, director of the romantic drama Cairo Time. ‘Now I’m making multimillion-dollar films.