Toronto-based director Jamie Kastner (pictured) talks about taking viewers on a revisionist romp through the disco era in The Secret Disco Revolution.
The debut feature from the Bosnian-Canadian director (pictured) bowed Sunday and has its final TIFF screening Tuesday Sept. 11 at 3 p.m.
“So how do you make Canadian film distinctive, something that stands out? Because it’s a marketing hook that ultimately sells films on VOD,” Tribeca Enterprises’ Geoffrey Gilmore told a TIFF panel on Monday.
Festival international programmer Jane Schoettle says that first-time filmmakers are using inventive ways to finance their films, which lets them retain artistic control and work with leaner budgets.
HBO Documentary Films president Sheila Nevins kicked off TIFF’s Doc Conference in Toronto Monday, advising filmmakers not to turn their noses up at brand funding.
The Midnight Madness programmer says that genre filmmakers should tap into grassroots level buzz generated by fans and audiences.
TIFF also saw two projects first pitched at the Fantasia International Film Market move forward in Toronto.
Ron Mann’s distribution company will release The Ambassador (pictured) for theatrical, home video and multi-platform as the first film in the deal.