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Prodcos thrive on revived MOW market

While American network interest in TV movies has waned in recent years, Canadian producers are benefiting from the huge demand for MOWs from U.S. cable casters.

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Lifestyle shows: not just cheap Cancon anymore

Canadian prodcos are growing on the strength of continued strong demand for lifestyle programming, both domestically and abroad.

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Canadian companies’ production & development spending in 2006

The following chart indicates where independent production companies spent their money in 2006.

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The consumer assumes the crown

Sling Media CEO Blake Krikorian noted in his opening address at the National Association of Broadcasters 2007 mobile super session that but for one Supreme Court vote in 1975, the VCR would be illegal.

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Mobile Forum looks to unravel the unknown

While mobile content guru Andy Nulman has enjoyed much success bringing brands such as the NHL, Maxim, Family Guy and Taco Bell to the mobile landscape, he says the medium remains as much an obscurity as a rapidly expanding phenomenon.

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Deregulation in the cards, says CRTC chief

Von Finckenstein commissions audit of TV and radio policies, telling B.C. broadcasters that the feds will favor market forces over regulation

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Christal goes solo

Operations expand coast-to-coast, as Montreal outfit ends its distribution partnership with Lionsgate and Maple Pictures

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Polley shines in Spidey’s shadow

Strong numbers from both sides of the border greet the arrival of Away from Her

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Mobile still a mystery, says Nulman

Content guru Andy Nulman looks to dispel rumours about the new medium at the Playback Mobile Forum

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Production spending surged in ’06

Production and development hit $1.52 billion in Canada last year, up 21%, thanks in part to higher demand for MOWs and a rebounding world market

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Boys and Arms lead Leo race

The annual awards gala for B.C. projects gives high marks in its nominations to Dragon Boys and Robson Arms, while Fido faces off against Unnatural & Accidental for best movie

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Delta debuts, Away expands

Quiet week in the wake of Spider-Man brings a comedy from Lionsgate and Maple, while Sarah Polley’s picture expands to 22 screens