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Toronto International Film Festival 1997 Daily Playback: Distributor File – Docs find a home at Seventh Art

Udy Epstein, principal of Los Angeles-based Seventh Art Releasing, has been screening films non-stop while visiting this year’s Toronto festival. Epstein hopes to pick up a title or two for u.s. distribution, and perhaps worldwide rights for the four-year-old company he…

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Toronto International Film Festival 1997 Daily Playback: Oscar-winning Best Boy gets sequel

Twenty years ago producer/ director Ira Wohl won the collective nod of every festival jury, including the Academy of Motion Picture Arts and Sciences, that screened Best Boy, a doc about his mentally retarded cousin. Last week he finished the sequel,…

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Toronto International Film Festival 1997 Daily Playback: Conceiving Ada via virtual sets

U.S. director Lynn Hershman Leeson’s latest film is notable tech-wise not only for its digerati cameos (Timothy Leary’s last film turn, and Well-master John Perry Barlow as an encryption expert), but for its use – which producer Henry S. Rosenthal believes…

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Toronto International Film Festival 1997 Daily Playback: At press time

A cheque for $100,000 from Miramax Films is wending its way to the folks in Flint, Michigan….

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Toronto International Film Festival 1997 Daily Playback: The Buzz

*Same time, new place…

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Toronto International Film Festival 1997 Daily Playback: Onward and westward to the Vancouver fest

It is the last of three large film festivals in Canada, yet the Vancouver International Film Festival still manages to showcase a substantial number of premieres….

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Toronto International Film Festival 1997 Daily Playback: Industry Centre finetunes its script

As the Toronto International Film Festival winds down, the Rogers Industry Centre is already looking ahead to next year’s prospects. Targeting presale opportunities will be the big push in ’98….

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Toronto International Film Festival 1997 Daily Playback: Producer File – IFC seeks Next Wave of projects

Word is quickly spreading about ‘no-budget’ indie film champion Peter Broderick’s new feature finishing fund, which is worth up to us$100,000 per project for films in the post stage….

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Toronto International Film Festival 1997 Daily Playback: Distributor File – ‘Strongest’ slate to date for Malofilm

Always a presence at tiff, Canadian distributor Malofilm has what senior vp and managing director Andy Myers calls their ‘strongest festival slate in history.’…

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Toronto International Film Festival 1997 Daily Playback: Screen Surveillance

This column highlights titles that are attracting buyer interest….

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Toronto International Film Festival 1997 Daily Playback: Correction

The Planet of Junior Brown was produced by Toronto’s The Film Works, and Evergreen Releasing holds the worldwide rights. The production company and distributor were incorrectly identified in yesterday’s edition of Playback. We apologize for any inconvenience or confusion this may…

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Toronto International Film Festival 1997 Daily Playback: Plans in Motion Cdn. rights ‘an expensive proposition’

Although Motion International is buying and selling at this year’s festival table as a new player, it’s a company with a well-established pedigree….