The TV productions feature digital components in languages including Mandarin, Spanish, Italian and Persian.
Canadian documentary production is facing its steepest decline in volume in almost a decade, according to a report from The Documentary Organization of Canada.
Online opportunities at TIFF.net and street level outdoor signage and digital screens in the lobby of the TIFF Bell Lightbox (pictured) are now on the cards for the year-round film programming organization.
“For the first time, you will see the shows treated the exact same way as shows we develop,” NBC Entertainment president of planning Jeff Bader (pictured) told a festival panel, of working with foreign partners.
A national strategy called Eye on Canada will promote Canadian content and talent, while a new mentorship program will help producers learn the art of marketing.
The new Anglophone Minority Program disbursed funds to six projects, and 13 projects in the Francophone Minority Program also received funding.
The online resource, which features a list of 50 crowdfunding platforms, features information on the practice organized with producers’ needs in mind.
The fund will contribute financing for up to two family features each year with production budgets of between $3.5 million and $5 million (Telefilm’s Carolle Brabant and Corus’ John MacDonald pictured).
Producers Bernie Hernando and Hugh Patterson and writer/director Lowell Dean must now decide whether or not to shoot in Saskatchewan, which ditched its much-needed refundable film tax credit.
Toronto-lensed NBC Universal series Hannibal has been renewed, and distributor Kaleidoscope has licensed several Canadian-made films (Cradle Will Fall pictured) to Shaw Media.
Aboriginal screen content is growing in popularity due to several factors, including increasing awareness of native issues and culture, the study determined (APTN’s Blackstone pictured).
The teams behind Wolfcop and Uprising discuss learning media savviness, how to pitch, implementing fan feedback and finding their audiences.