The Midnight Madness programmer says that genre filmmakers should tap into grassroots level buzz generated by fans and audiences.
The three-week internship provides an emerging female producer an opportunity to learn more about production and post-production equipment and processes.
TIFF also saw two projects first pitched at the Fantasia International Film Market move forward in Toronto.
Pierre Karl Peladeau and Wade Ooosterman are scheduled to address the future of TV programming in an expanding digital market as part of the October conference’s Focus on Canada spotlight.
The Montreal native revived the British film industry after founding Goldcrest Films in 1976 and amassing Oscar-winning movie credits like Chariots of Fire, Ghandi, Dances with Wolves and Driving Miss Daisy.
“This combined entity will move the needle for [producers] in ways they haven’t seen,” says eOne CEO Darren Throop.
In addition to coverage of Playback’s Canadian Film & TV Hall of Fame and 10 to Watch, the issue features pre-event TIFF coverage and looks into the success of prodco Shaftesbury and genre specialty channel Space.
Ron Mann’s distribution company will release The Ambassador (pictured) for theatrical, home video and multi-platform as the first film in the deal.
“It’s not common yet. But this is the future of the industry,” festival artistic director Cameron Bailey said while introducing the U.S.-China co-production.