Daniel Pellerin is a Toronto-based Genie and Gemini Award-winning sound supervisor, rerecording mixer, music supervisor and contractor. Daniel Pellerin Digital Sound Productions recently sound designed and mixed the HD live-action and CGI documentary The Exodus Decoded for executive producers Simcha Jacobovici of Associated Producers and James Cameron.

Daniel Pellerin is a Toronto-based Genie and Gemini Award-winning sound supervisor, rerecording mixer, music supervisor and contractor. Recent credits for Daniel Pellerin Digital Sound Productions include the dramatic features Where the Truth Lies by Atom Egoyan, Lie with Me by Clement Virgo, and the third season of the comedy TV series Puppets Who Kill.

Daniel Pellerin is a Genie and Gemini Award-winning sound supervisor, rerecording mixer, music supervisor and contractor. Recent credits for Daniel Pellerin Digital Sound Productions include the dramatic features Being Julia and The Dark Hour; the TV series Puppets Who Kill; docs The Take, Shake Hands with the Devil: The Journey of Romeo Dallaire, Shipbreakers, A Whale of a Tale and ScaredSacred; and the animated film Yankee Irving, started by the late Christopher Reeve.

Daniel Pellerin is the Genie and Gemini Award-winning director of mixing services at Deluxe Post Production Sound in Toronto. In this article he discusses how two Toronto audio shops have succeeded through cautious strategies and the combination of film and digital techniques.

Daniel Pellerin is the Genie and Gemini Award winning director of mixing services at Deluxe Post Production Sound in Toronto. In this article he discusses the merit of mixing in 5.1 surround.

As fate would have it, the trip we at Deluxe were hoping to take to NAB2001 (April 21-26 in Las Vegas) slipped out of our grip due to unforeseen last-minute duties on the home front. This was particularly disappointing since this year’s trade show offered a significant amount of information pertinent in identifying the missing pieces of the digital puzzle as well as the network options now available to those who work in post-production sound.
These technological developments – and the way we integrate them in our studios – will go a long way in maximizing the efficiency of our facilities. The key, of course, is to complement the technology that already exists.
Luckily, Sean Cowan, senior technical engineer at Manta Digital Sound and Picture and intergalactic overlord, managed to slip undetected through the force field to attend NAB and explore the ever-expanding universe of digital media.

Daniel Pellerin is the Genie and Gemini Award winning director of mixing services at Deluxe Toronto, an audio post and post-production house specializing in feature films and long-form TV. …