rave Films director Bill Irish helmed two days for Coca-Cola, with dop James Gardner wielding the camera. ‘Special Delivery’ was cut in 30- and 60-second versions. Jason Hunt served as executive producer on behalf of Rave.

At agency Cossette Communications, credit goes to the creative team of Jim Garbutt and Gerald Schonenoff. Bev Cornish produced.

David Baxter handled post at Panic & Bob and David Fleury completed the score.

Apple Box Productions director Randy Diplock shot a day for Country Style Donuts, with Simon Mestel manning the camera. The :30, titled ‘Muffin’ It,’ was produced by Apple Box’s Emily Pengelly and exec produced by Clare Cashman.

The creative came out of Yield under the creative direction of Shelley Ambrose and Brad Usherwood. Sandy Johnson produced for Yield.

Brian Noon edited at Flashcut.

Apple Box dispatched director Mitch Gabourie and dop Peter Hartmann on a two-day shoot for Telus Mobility. They returned with two :30s, ‘Sky Soar’ and ‘Taxi.’ Missy Geffen and Jane Charles Shaw executive produced and Laurie McLay produced.

The creative was out of Highwood Communications, with Stephen Williams and Jeff Lennard serving as creative directors and Trent Burton as copywriter. Jacqueline Burgmann produced for the agency.

Don MacDonnell handled post at JMB Post.

A second Telus job went to Apple Box director/cameraman Cliff Skelton, who had a day shooting a :30 titled ‘Coming.’ Jane Charles Shaw executive produced and Maureen Prentice produced.

The creative was out of Ogilvy & Mather, with Richard Cairns producing for the agency.

Ken Filewijch completed the edit at Location Leader Productions.

Still with Apple Box, director Gerald Casale got the call on a two-day shoot for BC Dairy Foundation, which yielded two :30s, ‘The Rescue’ and ‘The Train.’ dop was James Whitaker. Jane Charles Shaw executive produced and Leslie Thomas produced for Apple Box.

At Cossette, the creative team consisted of creative director Richard Hadden, art director Ken McCarthy and copywriter Lam Tang, with Pat Link producing.

Jane Morris-Berry edited at JMB Post.

Casale also had a day for BC Lotteries, with Brian Johnson serving as dop. Jane Charles Shaw executive produced the two-spot ‘Set For Life’ campaign, with Thomas again producing.

The Cossette creative team was made up of creative director Hadden, art director Scott Schneider and copywriter Blair Dewan. Link produced.

Melanie Snagg completed post at Coast Mountain.

At Van Films Inc., director/cameraman Brent Ramsey had a four-day shoot for BC Hydro, resulting in two :30s, ‘Thousands’ and ‘Using More.’ Wayne Fenske executive produced for Van.

At agency Lanyon Phillips BBDO Communications, creative directors Peter Lanyon and Tim Kelly and copywriter Mike Leger coined the creative Melanie Lambertsen and Mary Haskell-Harris produced.

Deb Tregale handled post at Coast Mountain and Koko Productions added the music.

At Imported Artists, the director team Spooner & French (Nick Spooner, Andy French) had two days for Bell. Walt Lloyd worked the camera and Suzanne Allan executive produced for Imported.

Judy Hamilton produced for agency Cossette and Mark Hajek edited at Stealing Time.

Imported director Stan Schofield teamed with dop Amir Hamed on two days for Toyota Canada. Imported’s Marylu Jeffery executive produced the :30.

Creative was out of DCC Communications, with creative director Michael Paul at the helm. Karen Blazer produced for the agency.

Andy Ames edited at Panic & Bob.

Imported director Dale Heslip had a day on a 30-second Kraft spot called ‘Treehouse.’ Rene Ohashi was the dop and Suzanne Allan produced.

At Young & Rubicam, art director Doug Bramah and copywriter Brett Channer provided the creative. Melanie Palmer and Diane Kirk produced.

Wendy Linton completed post at Blue Highway. *