It’s March 6, 1994 and the Gemini Awards are in full swing in Toronto when backstage heads suddenly turn to a quiet man with horn-rimmed glasses entering the media room. Whispers become a murmur.
Chief Dan George was a logger, a dockworker, a musician, a poet, and, at nearly 60 years of age, he became a movie star.
After years in the trenches of indie film, Paul Barkin has been keeping some heady company of late. Take Donald Sutherland, for example.
It’s another case of a kid from Degrassi done good.
For Xavier Dolan, making films is a matter of survival.
Aaron Douglas is not your typical leading man. But then The Bridge is not your typical cop show.
Although he helped write her hit comedy De père en flic, producer Denise Robert sees Ian Lauzon as a very serious guy.
Forget what you’ve heard – Allan Hawco is the CBC’s real triple sensation.
‘I come from making short films that cost me $500,’ says Ruba Nadda, director of the romantic drama Cairo Time. ‘Now I’m making multimillion-dollar films.
When docmaker Ron Mann won the prize for best individual artist at the Premier’s Awards for Excellence in the Arts, he was tasked with choosing the winner of the $15,000 emerging artist prize. He chose Charles Officer.
Crackerjack kids writer Christin Simms, a self-described ex-‘nerd-girl’, clearly understands what makes a story tick.
Twenty-nine-year-old Jacob Tierney has what it takes to push Canadian cinema ”where it needs to go.”