Radke Films director Mark Mainguy and dop Simon Mestel had a day for the Ontario Lottery Corporation out of Communique Group. Mark Hajek handled the edit at Stealing Time.

Mainguy and dop David Pelletier picked up a day for Nutrigrain Twists out of Leo Burnett. Hajek cut the spot.

Eddy Chu directed a two-day job for Sunlight out of Ammirati Puris Lintas. Barry Parrell was behind the lens and Mick Griffin edited at Flashcut.

Director Martin Shewchuk teamed up with dop Nick Allen-Woolfe on a one-day McDonald’s shoot through Cossette. Andy Ames edited at Panic & Bob.

Shewchuk and Allen-Woolfe were at it again, this time on a one-day job for Scope through Bensimon/Byrne dmb&b. Editor Wendy Linton cut the spot at The Daily Post.

Director Ricardo de Carvelho and dop Paul Gilpin had two days for Bacardi Canada through MacLaren McCann. Richard Unruh edited at Third Floor.

Director Brian Hickling landed a day for Starchoice out of Cossette. Paul Tolton shot the spot and Brian Williams edited at Panic & Bob.

Director Don Rase got the call on a 10-day Canadian Tire job out of Doner Canada, with Steven Postner and Kevin Emmons sharing dop duties. Smash Editorial’s Barry Farrell posted.

At The Partners’ Film Company, director Anouk Besson and dop Marco Mazzei had two days for Ponds through Ogilvy & Mather. Bruce Copeman edited at Axyz.

Director/dop George Willis also shot a day for Ponds and o&m, with Copeman editing.

Director Geoff Ayres landed a day for Pizza Pops out of Leo Burnett. James Gardner was behind the lens and Tim Kirkwood handled post at Flashcut.

Director Rob Lopes and dop Don Smith picked up three days for Kraft Cheeses through J. Walter Thompson, New York. Editing took place in the u.s.

Partners’ Film Company director Ali Selim and Gardner did two days of Hillshire Farms through Euro RSCG Tatham, Chicago. Post was handled in the u.s.

Greg Hoey shot and directed two days of Metamucil through Grey Advertising. Gerry Banning cut at Partners’ Post.

Spy Films director Pete Henderson landed three days for the Bank of Montreal out of Vickers & Benson. Doug Koch shot the spot and Ames edited.

At the Big Film Company, the Government of Ontario called on director/dop Ted Parkes for a day and director Chris Sanderson and Gardner for a second day, with James Taylor at Big editing both jobs. The creative was out of Bowen and Binstock.

Parkes also picked up a day for Mr. Christie through Harrod & Mirlin/ fcb. Jeff Haddow edited at Big.

Willis was director/dop on a day shooting running footage for Ford Trucks through Young & Rubicam. Robert Aldis edited at Big.

Sparks director Tenney Fairchild shot two days for The Nack utility knife out of Enterprise Advertising. One of the comedic spots, shot by dop Glen Keenan, takes place at a bachelor party and the other involves a woman and a sex-change operation. Chris Van Dyke cut at The Daily Post.

Tenney and Keenan found themselves in the middle of a parade on a one-day job for kfc out of o&m. Post was handled by Brian Williams at Panic & Bob, while Copeman edited at Axyz.

Tenney teamed up with dop Gabor Tarko for a two-day Zellers shoot out of o&m and another two days for Dimetapp out of y&r. David Hicks cut the Zellers job at Panic & Bob, while post for Dimetapp was handled in the u.s.

Director Jeff Feuerzeig and dop Bob Rudis teamed up on a one-day shoot for Canada Trust. Harrod & Mirlin fcb did the creative and Brant Lambermont edited at Third Floor.

Director Jim Gable had six top-secret days in Vancouver for Toyota Hakuhodo, Japan. Tom Cox was the dop and Andy Attalai edited at Chameleon. Dan Krech looked after effects at dkp.

Stu Haggman directed and Rene Ohashi lensed two days for Cottonelle out of Bozell. David Hicks edited at Panic & Bob.

Director Peter Riddihough completed his second job for Starchoice out of SGC New Brunswick. Stephen Amini was the dop and Archie Van Dyke cut at The Daily Post.

Director Holly Dale and Gardner landed two days for Benylin Nightime out of Bates Canada. Chameleon’s Attalai edited.

Aviator Pictures and Shadowrock director Oscar Bassinson and dop Ron Williams had three days for Frisch’s Big Boy out of Sive y&r. The three spots feature people with big, wild imaginations for food and life and were cut by Melanie Snagg at Coast Mountain.

Navigator Films director/dop Chris Woods picked up two days for Nortel out of Brain Surgery, usa. Leo Zaharatos handled the edit at Chameleon.

Director Tim Laurence and cameraman Paul Tolton teamed up on a day for Microware Distributing direct. Olaf Relitzki edited at Magic.

Director/dop Gabor Tarko landed a two-day job for the Turkey Marketing Agency through Ambrose Carr Linton Carroll. Ames edited.

Derek Van Lint shot and directed a day for McCain Waffles through BWS Advertising. Attalai edited.

At The Players Film Company, director Adam Massey had two days for Instant Auto Insurance out of New & Improved Advertising. Parrell was the dop and Williams edited at Panic & Bob.

Director David McNally and Koch picked up a day for AGF Mutual Funds through y&r. David Baxter edited at Panic & Bob.

Director Christopher Gentile had a day for Wilson Wipe-Out and Bug-X through Kelley Advertising. Ryan McMaster was behind the camera and Griff Henderson cut at Panic & Bob.

*Correction

Panic & Bob’s David Hicks was the editor on a President’s Choice spot by Players director Henry Less, not Norm Odell as listed in the Nov. 16 Commercial Directions.