Aviator Pictures director Linda Hassani teamed up with dop Ron Williams on a two-day job for Buena Vista Home Entertainment’s latest video releases, Alice in Wonderland and Robin Hood. Michelle Taylor handled the post at The Eyes Multimedia Productions.

White Iron Productions director Rico Labbe helmed two days for Canadian Airlines Duty Free. The 90-second, in-flight spot was shot by dop Craig Wrobleski and Jeff August handled the edit at White Iron Digital.

The Partners’ Film Company director/dop Ken Fox, through White Iron Productions, shot one day for Telus Overseas Calling through Ogilvy & Mather, Calgary. August posted.

At Blink Pictures, director Michael Grasso and dop David Stockton shot five days for General Motors’ GMC Sierra out of MacLaren McCann. David Baxter edited at Panic & Bob.

Director Sam Welch had a day for Panasonic Shockwave cd via Palmer Jarvis ddb. John Houtman was behind the lens and Deb Tregale edited at Coast Mountain.

Dale Heslip was the director and Simon Mestel the dop on a day for Nike. Cossette coined the creative and Robert Aldis edited at Optix.

Heslip and dop Robin Miller had two days for General Mills’ Honey Nut Cheerios out of Cossette. Evening Sky/The Animation House director Terry Godfrey handled the cell animation and Bruce Copeman edited at Axyz.

Evening Sky/Animation House animation director Bob Fortier brought Woody Woodpecker to life in a spot for Swiss Chalet through Ambrose Carr Linton Carroll. Big Film Company director Chris Sanderson handled the live action.

Sanderson also landed two days for Norwich Union out of Ogilvy 1. James Gardner was the dop and James Taylor cut at Big.

Big’s Rhett Morita shot and directed three days for CityPlace out of LA Ads. Aldis looked after the cut at Optix.

And Ron Campbell directed a day for Hyundai through Bates Canada. dop was Ted Parkes and Ross Briggs posted at Chameleon.

At Circle Productions in Vancouver, director Robert Turner landed four days for Compaq out of Draft Worldwide, New York, with Williams handling dop duties. In-house editor Louis Lyne will look after the edit and Mathew Griffiths will be handling the design elements.

The Directors Film Company director Robert Quartly and dop Robin Miller landed a day for Labatt Lite out of Ammirati Puris Lintas. Gord Koch edited at Flashcut.

Quartly and dop Paul Tolton had a day for NBA Canada out of Turbulence Communications. Brian Williams edited at Panic & Bob.

Zoo tv director Peter Benson and dop Gordon Judges had 14 days on location across Ontario for the Power Workers Union direct. Brian Wells edited at Chameleon.

At TOPIX/Mad Dog, Frank Russo spent a week in Inferno on a Pepsi/Star Wars job through BBDO Mexico. Xavier De La Cueva out of New York’s ConeXion was the director Larry Reibman was the dop.

Patrick Coffey had three days in Flame for Kellogg’s Special K through Leo Burnett, Puerto Rico. The Players Film Company’s Javier Aguilera directed.

Coffey and Marco Posinelli had a Flame/Inferno combo for Ponds out of o&m. Spy Films director Pete Henderson and dop Sean Valentini handled the live action. Michelle Czukar edited at Panic & Bob.

Posinelli and Russo teamed up for a week in Inferno on a job for MGM Grand out of y&r and Wunderman Cato Johnson, both of Detroit.