Aviator Pictures/Rave Films director Linda Hassani and dop John Houtman landed two days for Sun Rype through Palmer Jarvis ddb. Deb Tregale handled post at Coast Mountain.

Big Film Company director/dop James Gardner got the call on a one-day Nescafe Origins spot via Turbulence. James Taylor edited at Big.

Ted Parkes helmed and lensed a day for Black Diamond cheeses. The spot, through Palmer Jarvis, was edited at Flashcut by Tim Kirkwood.

Parkes also handled a one-day shoot for Microsoft Hotmail through Communique. Taylor edited at Big.

Parkes was at it again, this time on a two-day job for Siemens out of Cundari. Taylor did the cuts at Big.

Director/dop Rhett Morita had a day for Dell Computers through Sharpe Blackmore Saffer. Post was handled at V’Clips by Tim Ford.

Morita also had a day for Quaker Instant Oatmeal out of Harrod Mirlin fcb. Editing was completed by Big’s Taylor.

The Partners’ Film Company director Rupert Wainwright landed a three-day Canada Post job through bcp. Gardner was the dop and Steve Manz edited at Partners’ Post.

Director Rob Lopes handled a two-day Kraft shoot via J. Walter Thompson. Don Smith was the dop and editing was handled in the u.s.

Ali Selim directed and Gardner lensed three days for Tim Hortons through Enterprise Advertising. Leo Zaharatos made the cuts at Blueberry Canoe.

Director David Cowdery and cameraman Eric Tomasson landed a two-day job through Herriott Advertising for Gay Lea. Gerry Banning posted at Partners’ Post.

Tomasson flew solo on a two-day Aveda shoot through Communique. Robert Kraus edited at Smash.

Tomasson also helmed a day for Sears Corporate through Young & Rubicam. Charles Crosbie finished up at y&r.

Director Greg Wilson and dop Chuck Minsky scored a six-day Moores assignment through Red Ball Tiger. Post was handled in the u.s.

Blink Pictures director Ron Baxter Smith and cameraman Paul Tolton got the call on a two-day shoot for Holt Renfrew through L.A. Ads. Marcus Valentin edited at axyz.

Radke Films director Tom DeCerchio had three days for Cincinnati Bell through Gee Jeffery & Partners. Shane Hurlbut lensed and Andy Ames edited at Panic & Bob.

DeCerchio also helmed a spot for Fidelity through Publicis smw, with Jon Perez behind the lens. Shot over three days, the spot was edited by Zaharatos at Blue Highway.

Gordon Clark was director/dop on a three-day Trimark shoot through Leo Burnett. David Baxter edited at Panic & Bob.

Director Wayne Gibson teamed with dop Andre Pienaar on four days for Switchboard.com through Populuxe, New York. Editing was completed in the u.s.

Director Marcus Blunder and dop Peter Gulla had eight days for Pall Mall through Grey, New York. Editing was handled in the u.s.

Steve Gordon was director/dop on a seven-day job for Newfoundland Tourism through Bristol Communication. The spot was edited by Andy Attalai at Blue Lizard.

Shooters International director Tim Bieber partnered with dop Glen Keenan on two days for Subaru through Temerlin McClean. Editing was handled by David Hicks at Panic & Bob.

Circle director Louis Lyne helmed a two-day shoot for Grand & Toy through Harrod Mirlin. Peter Hartmann lensed the spots and Grant Pye edited at Third Floor.

Stephen Yeates was director/dop on a day for Clarica Investments via Ammirati Puris Lintas. Mick Griffin edited at Flashcut.

Director Dave Merhar teamed with cameraman Barry Parrell on three days for Bud Light through Fusion. Post was completed stateside.

Director Bruce Wolf and dop Jack Donnelly landed two days for Norwalk Furniture through Wyse Advertising. Editing was done in the u.s.

Sparks dispatched director Paul Cade and dop Stephen Bower on a two-day shoot for General Electric through bbdo. Editing was handled in the u.s.

Director David Popescu and dop Derek Van Lint had two days for Arby’s through Harris Drury Cohen. Joanne Shaw edited at Blue Lizard.

Popescu and Van Lint teamed again for a day with the Florida Panthers. The spot was edited by Shaw.

Director/dop Stephen Amini shot a day for Proctor & Gamble via dmbb. Kirkwood edited at Flashcut.

Director Brian Belefant and dop Rene Ohashi had a day for McDonald’s out of ddb, Seattle. Wendy Linton edited at Smash.

At The Players Film Company, director/dop Henry Less shot a day for Pfizer through Anderson Advertising. Marc Collister completed the post at Players.

Less had another two days for Benylin spot via Bates. Editing was completed at Chameleon by Ross Briggs.

*Correction

John Belbeck is not represented by See Hear as stated in the Sept. 6 Commercial Directions. He was brought aboard by the company for one Procter & Gamble spot.