Apple Box Vancouver director Gerald Casale and dop Dylan MacLeod shot two days for London Drugs for Bryant Fulton & Shee. Melanie Snagg edited at Coast Mountain.

David Rosen and dop Ron Fortunato shot two days for Barney (the big purple dinosaur) out of The Richards Group. Post was done at Hothause Editorial.

At Apple Box Toronto director Randy Diplock and dop Paul Tolton teamed up for a day of Nokia out of TBWA Chiat/Day. David Buder edited at Atomic.

Michael Huss shot one day for Time Life highlighting a new album by Canadian songbird Anne Murray. Post will be done in the u.s. by Time Life.

Partners’ Film Company director Clay Staub and dop Miroslaw Baszak shot two days for Toyota Premium out of Dentsu, Japan. Bruce Copeman edited at Axyz.

Don Allan and Baszak landed a day on Delmonte for Harrod & Mirlin/FCB. Steve Manz handled the cut at Partners’ Post.

Director Nick Piper teamed with the busy Baszak for a four day shoot on Farmers Insurance with agency Campbell-Ewald. Edits were done in the u.s.

Christina Hodnet shot two days of Royale out of Leo Burnett. Dylan MacLeod was dop and Leo Zaharatos posted at Chameleon.

Greg Sheppard helmed a 12-day job for Alexander Keith’s out of Corporate Communications, Halifax. James Gardner was on camera and Andy Attalai edited at Chameleon.

Director/dop Ted Parkes of the Big Film Company took only a day to shoot an Aquafresh spot for Grey Canada. Marty Kravshik edited at Reel Ideas.

Rhett Morita shot and directed on a day-long job for TD Waterhouse with agency TBWA Chiat/Day, with Robert Alldis editing at Big.

Big director Chris Sanderson paired up with dop Gardner for a day-long Mr. Clean shoot. Tim Kirkwood did the edits at Flashcut.

Director Kari Skogland took a day to complete shooting on a McCain Foods Canada ad with agency Granicus Productions. Rene Ohashi served as dop while James Taylor handled editing duties at Big.

Directors Film Company’s Bruce Hunter presided over a one-dayer for Star Choice with cameraman George Willis. The spot was out of Leo Burnett Advertising and edited by Alex Eaton at Stealing Time.

Director Annabel Jankel teamed with Sean Valentini for a three day shoot for Chrysler Canada through BBDO Toronto, with editing duties fulfilled by Richard Unruh at Third Floor Editing.

International Shooters director/cameraman Michael McNamara filmed a spot in one day for Maalox for Grey New York. Post was handled in the u.s.

John Davis served as director and dop on a Tim Hortons ad through Enterprise Creative Selling, filmed over one day. Zaharatos edited at Blueberry Canoe.

Phil Brown, on behalf of Aviator, directed a pair of spots in a pair of days for Canine Equipment, with dop John Houtman. The spots went direct to the client with editing completed by Ian Jenkins at Coast Mountain.

Sparks director David Popescu and cameraman Stephen Amini shot for two days on a new spot for Rogers Cablesystems through Enterprise Creative Selling. Joel Ziegler handled the post at Magnetic North.

Amini also teamed with director Peter Montgomery on a two-day shoot for Quakers Harvest Crunch. The agency was Harrod & Mirlin/FCB and editing was done by Peter McAuley at Axyz.

Tenney Fairchild directed a two-day shoot for the Mills Corporation with agency Doner Michigan. Scott Henriksen was behind the camera and post was completed in the u.s.

Angel Films director Boris Damast and dop Andre Pienaar took the reins on a one-day shoot for The Campbell Group on the Spirit of Ford project. Bill Ferwerda transferred the film at dave and the rest of the post was done in the u.s.

Imported Artists deployed director Mark Tripp and dop David Pelletier for a two-day shoot for Leo Burnett Chicago on an Eggo Waffles spot. Yamus did the editing at Nuworld Editorial.

Richard D’Alessio and cameraman Simon Mestel filmed seven nights on three Budweiser spots with agency DDB Needham Chicago. David Baxter did the cut and pasting at Panic & Bob.

D’Alessio and Mestel teamed again on a Cantel spot through Gee Jeffery and Partners. Post was completed at Stealing Time.

Director/dop Robin Willis shot a Listerine commercial in one day through agency JWT. Editing was handled by Mark Hajek at Panic & Bob.

Dan Levinson directed a one-day shoot for Blue Cross through Ketchum Advertising. The camerawork was handled by Paul Sarossy and post services were provided in the u.s.

Director Rent Sidon paired off with dop Gardner for a two-day-long outing for Mars. The edits were done at Panic & Bob by Baxter.

Yarvi Gaber set the scene for the three newest Supercuts spots on five days with dop Chris Soos. The post work was handled in the u.s.

For the record:

Blueberry Canoe editor Leo Zaharatos was the editor on the Cannes Gold Lion-winning spot ‘Poem’ for Finess.