Blink Pictures director Dale Heslip shot two days for McDonald’s McWraps through Cossette. Derek Van Lint was the dop and Peter McAuley edited at Axyz.

Director Sam Welch and dop Dylan MacLeod had a one-day job for General Mills French Toast Crunch out of Cossette. Robert Kraus edited at Smash.

Industry Films director John Danza Jr. and dop Simon Mestel landed a day for Breyer’s via MacLaren McCann. David Baxter edited at Panic & Bob.

Director Richard Sears and dop Pierre Rouger had three days for Kellogg’s through Leo Burnett. Andy Ames handled the post at Panic & Bob.

The Partners’ Film Company director Eric Yealland and dop Mike Andringa had a two-day shoot for Bell out of Cossette. Barry McMann looked after the post at Third Floor.

Yealland teamed up with dop Paul Tolton on a day for Nestle Flipz via MacLaren McCann. Chris Brook cut at Partners’ Post.

Gillean Proctor shot and directed a two-day job for Uncle Ben’s out of Bensimon Byrne/dmb&b. Norm Odell edited at Flashcut.

Director Don Allan and dop Miroslaw Baszak landed a day for Oxy through Grey Advertising. Gerry Banning edited at Partners’ Post.

Clay Staub helmed two days for Alpha Bits out of bbdo. Baszak was the dop. McAuley cut at Axyz.

Director Jaume and dop Barry Peterson landed a three-day assignment for Labatt out of Ammirati Puris Lintas. Mick Griffin cut at Flashcut.

At Apple Box Vancouver, director Randy Diplock and dop John Spooner spent two days capturing real-life situations that lead to accidents for St. John’s Ambulance and Palmer Jarvis ddb. Post was handled by Melanie Snagg at Command Post/Toybox West and Coast Mountain.

At Apple Box Edmonton, director Gerald Casale and Spooner joined forces on a day for Telus Mobility via Ogilvy & Mather, Calgary. Bridgett Durnford edited at Toybox West.

At Winnipeg’s Credo Productions, director John Paizs and dop Charles Konowal had a day for the Winnipeg Free Press. Michael Lloyd edited at Credo.

Radke Films director Tom DeCerchio and Brian Bonvillain had two days for Toronto Dominion Bank through TBWA Chiat Day. David Hicks edited at Panic & Bob.

Wayne Gibson directed and Dylan MacLeod lensed a day for Crest out of Bensimon Byrne dmb&b. Griff Henderson handled the cut at Panic & Bob.

Director Mike Bigelow and dop Doug Koch teamed up for two days of Good Humour, with J. Wesley Jones handling a day of product shots. MacLaren McCann coined the creative and Chris Parkins edited at Flashcut.

Director Martin Schewchuk and dop Gabor Tarko had two days for Tim Horton and Enterprise Creative Selling. Andy Ames edited at Panic & Bob.

James Gardner lensed a spot for PBS Kids and Lee Hunt & Associates. The five-day shoot was serviced through Roadhouse Productions.

Sparks Productions director Dan Driscoll had a day for Media One out of Wickersham Hunt Schwantner, Boston. Christopher Lanzenberg was the dop and post was handled in the u.s.

Rick Dublin helmed a two-day shoot for Tim Horton through Enterprise. Tarko was the dop and Leo Zaharatos cut at Blueberry Canoe.

Director Tom Finerty and dop Barry Parrell had a two-day shoot highlighting the benefits of Alternacall and starring sctv alumna Andrea Martin. Echo Advertising came up with the creative and McAuley cut at Axyz.

David Popescu directed two days for Sony and Due North Communications. Stephen Amini was dop and Ross Briggs cut at Chameleon.

The Animation House’s Terry Godfrey directed the animation on a :30 for Nesquik Cereal that features the Quik Bunny and combines live-action, cgi and cel animation. The job was out of Saatchi & Saatchi, New York. Director on the live action was Michael Patterson out of l.a.’s Rhythm & Hue.