Radke Films director/dop Steve Gordon had a day for Sears out of Ammirati Puris Lintas. Norm Odell edited at Flashcut.

Gordon also had a day for Crosswalks and a day for Keith’s Beer. Creative for both jobs came from Corporate Communications and both were posted by Andy Attalai at Chameleon.

Gordon shot and directed a day for Tropicana through Harrod & Mirlin/fcb. Bob Kennedy and Mick Griffin handled the post at Flashcut.

Director Mark Mainguy teamed up with dop Sean Valentini on two days for Scotiabank via bbdo. Mark Hajek edited at Stealing Time.

Eddie Chu helmed and Doug Koch lensed four days for Interim through Voodoo. Miguel Raymond edited at Bureau de Post Production.

Chu and Koch were together again for three days of Superglue from Verba ddb.

Director Chris Hooper and dop Robert Schaffer had a two-day Bell shoot through Cossette. Brant Lambermont edited at Third Floor.

Hooper and Koch landed a day for Zellers out of Ogilvy & Mather. Andy Ames edited at Panic & Bob.

Director Philip Kates helmed two days for Total Cereal out of Saatchi & Saatchi, New York. Gabor Tarko was behind the lens and editing took place in the u.s.

Director Tom DeCerchio and dop Mike Bonvillain landed two days for Ford through Young & Rubicam. Kennedy edited at Flashcut.

Rob Pritts directed and Scott Buttfield shot five days for Visa out of Leo Burnett. David Baxter edited at Panic & Bob.

Director Wayne Gibson teamed up with dop Simon Mestel for six days of Kitkat out of Grey, Dusseldorf. Brian Williams cut at Panic & Bob.

Imported Artists director Wayne Craig and Mestel joined forces on a day for Sleeman’s Cream Ale out of smw. Ames edited at Panic & Bob and The Einstein Bros. looked after the sound.

At The Partners’ Film Company, director/dop Ian Leech had a three-day job for Daewoo through Goodgoll Curtis. Steve Manz cut at Partners’ Post.

Director Tim Abshire and Valentini shot a day for Belair Direct through bbdo. Tim Kirkwood edited at Flashcut.

Director Clay Staub and dop Miroslaw Baszak had two days in Toronto and director/dop Erik Tomasson shot a day in New York for Roswell Park Cancer Institute. New York’s The Schutte Group coined the creative and Gerry Banning edited at Partners’ Post.

Players Film Company director/dop Henry Less landed a three-day assignment for S.C. Johnson out of Harrod & Mirlin/fcb. Alex Eaton edited at Stealing Time.

Less shot and directed three days for Apple Minis through McCann-Erickson Paris. Marc Collister handled the edit at Players Post

Director Bradley Walsh took the wheel on a day for Ford through Can-Asian Advertising. David Green was the dop and Collister edited at Players Post.

Walsh helmed four days in Halifax for MTT Consumer. Marcus Elliot was the dop and Leo Zaharatos edited at Chameleon.

Javier teamed up with dop Federico on three days for Kellogg’s Special K via Leo Burnett, Puerto Rico. David Hicks edited at Panic & Bob.

LTB Productions director Jeff Jones and dop John Houtman picked up a Phazyme spot for Block Drugs out of Grey Advertising, New York. Editorial will take place in the u.s.

At ACS Productions, director Kelvin Mok posted nine spots for Sprint Canada’s multi-ethnic campaign via Grey Advertising. Post was done at China Syndrome Productions by Brian Vasoff.

* Correction

In the May 3 Commercial Directions, Andy Knight was special effects director on the Molson spot directed LTB Productions director Steve Bruni.