The Partners’ Film Company director Don Allan and dop Miroslaw Baszak had a one-day shoot for Harvey’s/Swiss Chalet through Ambrose Carr Linton Carroll. Chris Brook handled the edit at Partners’ Post and TOPIX/Mad Dog’s Susan Armstrong, James Cooper, Patrick Coffey and Frank Russo spent three days in Inferno adding their special touch.

Through Revolver, Allan directed and Ray Dumas lensed two spots for Schneiders Lunchmates out of The Ongoing Partnership. t/md’s Coffey spent two days in Flame and Paul Gowan handled the post at Partners’ Post.

Partners’ director Raymond Bark had three days for Beltone out of Euro RSCG Tatham, Chicago. Sean Valentini was behind the lens and post took place in the u.s.

Director/dop Bill Heath spent six days on an Alberta mountain top for a Goodyear job out of Due North Communications. Jeff Bessner edited at Partners’ Post.

Spy Films director Pete Henderson teamed up with dop Sean Valentini on a Famous Players/Paramount job – a cinema spot and three :15s – out of Generator IdeaWorks. t/md’s James Cooper spent nine days in Inferno and Mark Hajek edited at Stealing Time.

At Generator, director/dop George Morita had a day for Ford via Young & Rubicam. Brian Noon edited at Flashcut.

Morita also helmed a day for Crest out of Bensimon Byrne/ dmb&b. Robert Alldis handled the post at Generator.

Director Allan Mestel and Morita teamed up on a one-day job for the Canadian Bankers Association through McLauchlan Group. Norm Odell handled the post at Flashcut.

Bob Perks shot and directed two days in Vancouver for Chrysler out of bbdo. Nuno Pawlin cut the spot at bbdo.

Apple Box Vancouver director/dop Cliff Skelton scored three days for New Millennium Care, a u.s. health care facility, out of Red 7E. Skelton edited at Coast Mountain.

Director/dop Steve Bruni picked up an assignment for Molson’s out of MacLaren McCann. Andy Knight edited at Red Rover.

Sparks director Peter Montgomery shot four days in Toronto and Vancouver for Bridgestone Canada through Communique. Nick Allen-Woolfe was behind the lens and Peter McAuley edited at Axyz.

Director Jeff Bednarz and dop Curtis Wehr were the team on two days for p.m.a.c. through Anderson Advertising. Bob Kennedy edited at Flashcut.

David Popescu directed and Peter Hartmann lensed two days for Bell Mobility via Cossette. Barry McMann handled the cut at Third Floor.

At Industry Films, director Jeremy Lynch and Baszak had two days for Shoppers Drug Mart Quo Cosmetics through TBWA/Chiat Day. David Hicks edited at Panic & Bob and Crush handled the audio.

Director Alexandra Dellevoet also got the call on two days for Shoppers via TBWA/Chiat Day. Dylan MacLeod was on camera and Hicks edited.

Bob Giraldi directed three days for Molson Canadian out of Encore. Massimo Hanozet was the dop and Michelle Czukar edited at Panic & Bob.

Director Vadim Perelman landed a four-day job for Rice Krispie Snacks via Leo Burnett, Chicago. Camera duties were split between Richard Henkels and Joseph Yacoe. Post was done at Flashcut and the Animation House.

Director John Adams and Baszak had a four-day Bud Light job out of Bozell. Mark Hajek edited at Stealing Time.

The Directors Film Company director Robert Quartly teamed up with dop Robin Miller on two spots for Labatt. Ammirati Puris Lintas coined the creative and Gord Koch edited at Flashcut.

Imported Artists director Todd Phillips and dop Bob Richardson shot five days for Labatt through apl. Andy Ames edited at Panic & Bob and Einstein Bros. looked after the sound.

Director Dan Levinson and dop Alar Kivilo landed two days for Telus Communications via Ogilvy & Mather. Mick Griffin edited at Flashcut.

Director Mark Tripp and dop David Pelletier had two days for Alperts Furniture Store through Nail, Rhode Island. Editorial took place in the u.s.

Charles Wittenmeir was director/dop on three days for ikea out of Roche Macaulay & Partners. Hicks edited at Panic & Bob.

At the Big Film Company, director Chris Sanderson and Baszak completed a day for Swiss Chalet in conjunction with the Animation House/Evening Sky. Agency was aclc and James Taylor edited at Big.

Director Christopher Giardino and dop Ted Parkes had two days in Halifax for Ford via y&r. James Taylor edited at Big.

At Rave Films/Aviator Pictures, director Bill Irish helmed three spots for Manitoba Telecom Services through Palmer Jarvis ddb, Winnipeg. Allen-Woolfe was behind the lens, Tim Kirkwood and Odell shared editorial duties at Flashcut, and Pirate Radio & tv looked after the sound.

At The Player’s Film Company, director David Straiton and dop Henry Less shot two days for Kool-Aid out of y&r. Brant Lambermont edited at Third Floor.

Adam Massey and dop Barry Parrell landed a three-day gig for Labatt out of Bryant Fulton and Shee. Debbie Tregale edited at Coast Mountain.

Corrections

derek Case is repped by Generator Films, not Revolver as listed in last issue’s Commercial Directions.

Also in last issue, Robin Miller was the dop on the Alberto European job directed by Players’ Bradley Walsh.