Imported Artists Film Company director Richard D’Alessio and dop Simon Mestel landed two days for Honda out of Ambrose Carr Linton Carroll. David Baxter edited at Panic & Bob and Ted Rosnick handled the sounds at Rosnick Mackinnon.

Bob Purman shot and directed a day for Nike/Toronto Maple Leafs and two days for Catelli pasta, both out of Cossette. Robert Alldis edited the hockey spots at Optix and David Hicks cut the Catelli job at Panic & Bob.

m.e.a.t. director Jeff Eamer and dop Doug Koch had a two-day job for Minute Maid through Leo Burnett, Puerto Rico. Bruce Copeman edited at Axyz.

Generator director/dop George Morita shot a day for Catelli out of Cossette. Alldis edited at Generator.

Morita shot and directed a one-day job for Alka-Seltzer through bbdo, Mexico. TOPIX/Mad Dog handled the animation.

Director Allan Mestel picked up a day for Swiss Chalet out of aclc and a day for General Mills through Cossette. Morita was behind the lens and Dave Rheaume edited both jobs at Generator.

Mestel and dop Ryan McMaster had a day for Kraft via J. Walter Thompson, with Rheaume handling the cut.

Alan Marr directed and Dave Grippo shot a day for the Ontario Ministry of Health out of Bowen & Binstock Advertising. Rheaume handled the cut.

Blink Pictures director Dale Heslip helmed a three-day job for McDonald’s Extra Hungry out of Cossette, with dops Andre Pienaar (live action) and Tom Ryan (tabletop). Copeman edited.

Rave Films director Stephen Scott teamed up with dop Simon Mestel on two days for Winners via Harrod & Mirlin/fcb. Alex Eaton edited at Stealing Time.

Scott and dop Marcus Elliott had two days and two spots for Oh Henry out of Bozell Worldwide. Greg Edgar edited at Stealing Time, t/md’s James Cooper handled the post effects in Flame, and Louder Music looked after the audio.

Sparks Productions director Jeff Feuerzeig shot a Primo Pasta spot out of Harrod & Mirlin/fcb. Romeo Tirone was behind the lens and Leo Zaharatos edited at Chameleon.

Stephen Amini was director/dop on a one-day tabletop job for Tim Hortons through Enterprise Creative Selling. Zaharatos edited.

Director Rich Wafer also had two days for Tim Hortons Roll Up campaign and Enterprise. Mestel was on camera and Zaharatos posted.

Director Bob got the call on a one-day Yokohama Tires shoot through The Arras Group, Ohio. Amini was the dop and Andy Attalai edited at Chameleon.

Director/dop Claude Mougin shot three days for Crayola out of Avrett Free & Ginsberg, New York. Post was done in the u.s.

Apple Box Productions director David Rosen and dop John Bartley picked up a day for Telus-Planet Internet via Ogilvy & Mather, Calgary. Editorial took place at Coast Mountain.

Cliff Skelton helmed a day for Ford Mercury Dealers and Young & Rubicam, Calgary. Leader Productions handled the edit.

Director Fred Frame shot two days for icbc out of Palmer Jarvis ddb. John Houtman and Ron Williams shared camera duties and Deb Tregale edited at Coast Mountain.

At The Partners’ Film Company, director Raymond Bark shot two days for St. Elizabeth Hospital out of Ira Thomas Associates, Ohio. Pienaar was behind the lens, t/md’s James Cooper spent a day on Inferno and post was handled in the u.s.

Floria Sigismondi teamed up with dop Dylan MacLeod on a four-day job for Eaton’s out of Roche Macauley & Partners. Michelle Czukar edited at Panic & Bob.

Director/dop Ken Fox picked up three days for Pennzoil, with race car driver Dale Earnhardt Jr. behind the wheel. gsd&m of Austin, Texas coined the creative and editorial took place in the u.s.

Gillean Proctor shot and directed a two-day job for Ammirati Puris Lintas, New York. Post was handled in the u.s.

Director Susan Buster Thomas and dop Adam Beckman shot three days for Amerix through Doner Direct, Baltimore. Grant Pye edited at Third Floor.

At The Big Film Company, director Chris Sanderson and dop James Gardner had two days and three spots for The Keg through Campbell & Partners. James Taylor edited at Big.

Gardner shot and directed a day for Kraft and Leo Burnett. Brian Williams edited at Panic & Bob.

Director/dop Miroslaw Baszak landed a day for Maytag/Tide through Saatchi & Saatchi. Griff Henderson edited at Panic & Bob.

Rhett Morita was director/dop on a day for Ultra Downy through Grey Canada. Marty Kravshik edited at Reel Ideas.

d.a.v.e.’s Michael Lambermont directed and Big’s Ted Parkes lensed a day on an effects-heavy Sympatico spot through Bristol Communications, Nfld. Taylor edited at Big.

Radke Films director Martin Shewchuk and dop Rene Ohashi lensed a spot for Michelinas out of The Ongoing Partnership. Andy Ames edited at Panic & Bob and t/md’s Cooper spent three days in Inferno.

The Players Film Company director Bradley Walsh and dop David Green landed a day for the Dixie Outlet Mall out of Robert Young & Associates. Michael Morrow edited at Players.

Director Stephen Surjik picked up two days for Shreddies Cereal out of bbdo. Gardner was behind the camera and Zaharatos edited.

The Directors Film Company director Jonni Cohen and Gardner teamed up on a three-day cibc shoot via Padulo. Richard Unruh cut the spot at Third Floor Editing.

Industry Films director Bob Giraldi and dop Massimo Hanozet shot four days for Budweiser through Bozell Worldwide. Hicks edited at Panic & Bob.

Giraldi and Hanozet were together again for three days of London Life through Goodgol Curtis. Michelle Czukar edited at Panic and Bob.

Vadim Perelman landed a three-day Zellers job via O&M. Richard Henkels was behind the camera and Attalai edited at Chameleon.