The Players Film Company director Carl Harvey shot three days for the Toronto Raptors out of Echo Advertising. The three :30s were lensed by Bongo and Al MacPherson. Brian Williams handled the cut at Panic & Bob.

The Partners’ Film Company director Michael Cerny and dop Andre Pienaar had a three-day job for Pantene. Grey Canada coined the creative and Gerry Banning edited at Partners’ Post.

Director Don Allan and dop Ray Dumas teamed up on a two-day shoot for East Side Marios out of The On-Going Partnership. Banning handled the edit.

Director Sebastian Copeland and dop Paul Tolton had two days for CIBA Vision via J. Walter Thompson, Atlanta. Chris Brook edited at Partners’ Post.

Christina Hodnet helmed two days for Rogers through Bensimon Byrne/dmb&b. Steve Manz edited at Partners’ Post.

Allan and Dumas, through Revolver, had a two-day shoot for Budweiser Superbowl Party out of Bozell. Griff Henderson edited at Panic & Bob.

Blink Pictures director Sam Welch teamed up with dop Sean Valentini on a three-day job for the Atlantic Lottery Corporation via Bristol Group, St. John’s, Nfld. Robert Kraus edited at Smash Editorial. Crunch handled the sound.

Apple Box Productions director/dop Cliff Skelton had three days for Western Canada Lotteries Corporation out of Palmer Jarvis. Skelton edited at Super Suites/TOYBOX West.

Skelton shot, directed and edited a one-day job for Ford Mercury Dealers Association out of Young & Rubicam, Calgary. Skelton was also director/dop on a one-day shoot for the Ministry of Women’s Equality Anti-Violence campaign. The two spots, cut by Jayne Morris Berry at TOYBOX West, deal with date rape and domestic violence. Grey Advertising coined the creative.

Director Philip Spink and dop John Spooner landed three days for Spin Master Toys in Arizona. Ted Tachuk cut at Studio Post.

Director Gerald Casale had a one-day job for Parmalat Shake-A-Shake featuring a man mowing the lawn. The assignment was out of Palmer Jarvis ddb. Scott Henriksen was behind the lens and Deb Tregale edited at Coast Mountain.

Radke Films director Eric Steinman and dop Barry Parrell had five days for a&w out of Communique. Barry Farrell edited at Smash.

Mike Bigelow directed and Tim Ives lensed two days for ups through y&r, New York. Editorial took place in the u.s.

Director Wayne Gibson and dop Doug Koch had a five-day shoot for Kitekat cat food out of Grey Advertising, Germany. David Baxter handled the cut at Panic & Bob.

Sparks director Randy Hackett shot a day for McDonald’s/Lotto 649 through Vickers & Benson. Glen Keenan was the dop and post was handled by Chris Van Dyke at Optix.

Jean Michel Ravon helmed a day for Tums out of Jordan McGrath Case & Partners. Peter Hartmann was behind the camera while Andy Attalai edited at Chameleon.

The Directors Film Company director Laura Belsey and dop George Willis shot four days for Ikea Germany out of Roche Macaulay & Partners. Mark Hajek edited at Stealing Time.

Belsey and Willis teamed up on a two-day job for Altamira through The Wolf Group. Wendy Linton cut at The Daily Post.

Freedom Films director Ross Munroe and dop Martin Julian shot a pool of spots for Irwin Toys out of Montana Steele Advertising. Ken Davis handled the cut and created the special effects at Post dna.