The Partners’ Film Company director/dop Greg Winter shot four days for Wilsons Leather out of Martin Williams. Post was handled in the u.s.

Director Greg Sheppard and dop Mike Andringa landed a two-day job for Community Blue out of Schutte Group, Buffalo. Jeff Bessner edited at Partners’ Post.

Clay Staub directed four days for Honda through Ambrose Carr Linton Carroll. Sean Valentini was behind the lens and Gerry Banning handled the cut at Partners’ Post.

Director Barb Cole had a day with dop Paul Tolton for Winners out of Harrod & Mirlin fcb. Steve Manz edited at Partners’ Post.

Director Britt Randle picked up a day for the United Way through brw, Sault Ste. Marie. Eric Tomassen was the dop and Sabena Kapil edited at Partners’ Post.

Director/dop David Johnson landed a four-day shoot for Pantene through Grey Advertising, New York. Editorial was handled in the u.s.

Directors Montgomery White Bloom and Andrew Delaney teamed up with dop Daniel Landin on a Samuel Adams Beer job through McCann, New York. Editing was done in the u.s.

Radke Films director/dop Steve Gordon landed a one-day job for Labatt through Ammirati Puris Lintas. David Baxter handled the edit at Panic & Bob.

Gordon also had two days for Singer through Bensimon Byrne dmb&b, three days for ifaw through Anderson Advertising, both edited by Andy Attalai at Chameleon, and a day for Sunlight out of Ammirati, cut by Bob Kennedy at Flashcut.

Director Mark Mainguy teamed up with dop Doug Koch on a four-day job for Toyota out of Dentsu, Japan. Michelle Czukar handled the cut at Panic & Bob.

Martin Shewchuk directed a one-day job for Leon’s through LA Ads. Paul Tolton was behind the camera and Tim Kirkwood edited at Flashcut.

Shewchuk also teamed up with Nick Allen-Woolfe on two days for McCormick through Enterprise Advertising, edited by Leo Zaharatos at Chameleon, and one day for Act One for LA Toy Zone, edited by Andy Ames at Panic & Bob.

Shewchuk and Allen-Woolfe were together again for a day of McDonald’s through Cossette Communications, with Ames handling the edit.

Shewchuk and dop Glen Keenan shot a day for Wheaties out of Cossette. Ames edited.

Director Tom DeCerchio and dop Shane Hurlbut landed two days for Kodak through Ogilvy & Mather New York. The edit was handled in the u.s.

DeCerchio teamed up with dop Barry Parrell on a three-day shoot for Campbell’s out of bbdo. David Baxter edited at Panic & Bob.

Director Antoine Fuqua and dop Peter Levy landed a three-day shoot for gmc through MacLaren McCann. Richard Unruh edited at Third Floor.

Director Eddy Chu and dop Koch picked up a day for Yamaha out of Palmer Jarvis ddb. Muno Pauleno edited.

Director/dop Gordon Clark scored a three-day job for Canada Post out of The BCP Group. Bruce Copeman edited at axyz.

Maxx Productions director Larry August shot four spots in two days for the Ontario Lottery Corporation ProLine Lottery through Communique Group. James Gardner was dop and Barry Farrell is editing at Smash.

Director George D’Amato shot two spots for mt&t out of Corporate Communications, Halifax. Gardner was behind the lens and Attalai handled post at Chameleon.

Blink Pictures director Dale Heslip and dop Derek Van Lint landed a six-day job for Cantel at&t through Gee Jeffery & Partners. Post was handled by Copeman at axyz and Baxter at Panic & Bob.

At The Big Film Company, director/cameraman Ted Parkes had a day for General Mills out of Cossette. James Taylor edited at Big. Parkes had another day for Pert Plus through Leo Burnett and a day of Pantene out of Grey Advertising.

New York director/cameraman Michael Somoroff had two days for Kentucky Fried Chicken through o&m. Chris Parkins edited at Flashcut.

Director Kari Skogland teamed up with Gardner on a day for Fleecy out of Young & Rubicam. Taylor edited at Big.

Director/dop Rhett Morita picked up a day for Kinder Surprise through Garneau Wurstlin Philp. Taylor edited.

Director Christian Fennell shot two days for Kellogg’s through Leo Burnett. George Hosek was behind the lens and Taylor edited.

At Revolver Film Company, Greg Sheppard directed two days for Teledyne Water Pic Shower Massage starring an elephant. The job was through Bates. Gardner was dop and Attalai edited.

Director/dop Larry Hutson picked up a five-day job for Ontario Tourism through Publicis smw. Barry McMann edited at Third Floor.

Director Jeremy Lynch landed two days for Roots Canada featuring a day in the life of snowboard champion Ross Rebagliati in Whistler, b.c. The job was out of X Unlimited and Ray Dumas was behind the camera. Paul Gowan edited at Partners’ Post.

Director Don Allan and dop Robin Miller had a one-day job for Frontier Cellular through Mark Russell & Associates. Banning edited at Partners’ Post.

Allan and Miller also had two days for Molson Breweries Pleasure Pack out of Encore Encore. Czukar handled the edit at Panic & Bob and TOPIX/Mad Dog’s James Cooper took care of the post effects.

Allan and Dumas got together on a day for Ford Windstar, edited by Gowan, and two days for Radio Shack, cut by Banning. Both jobs were out of y&r.

Director David O’Brien and dop Mike Andringa had a day for CTV Sportsnet, with Gowan handling post. No agency was involved.

Director/dop Harry Lake landed a two-day job for Agora Foods through Bates Canada. Brian Wells posted at Chameleon.

Director Jeff Siberry and Dumas teamed up for a day of Buckley’s out of smw. Gowan handled post.

The Players Film Company director Christopher Gentile shot a day for Kraft out of jwt. Dylan MacLeod was the dop and Williams edited.

Henry Less shot and directed a six-day job for Benckizer Electrasol Tabs out of Margeotes/Fertitta & Partners, New York. Editorial is being handled in the u.s.

Director Carl Harvey teamed up with MacLeod on two days for Wal-Mart through smw. Zaharatos edited at Chameleon.

Director David McNally and dop Dale Dimmick had a day for Kokanee Beer out of Bryant Fulton & Shee. Debbie Tregale edited at Coast Mountain.

Director Adam Massey and Parrell hooked up on a three-day Budweiser shoot out of Open Minds, l.a. The edit was handled in the u.s.

t/md’s James Cooper and Susan Armstrong spent a week on a series of eight 15-second spots for The National Post through MacLaren McCann.

The Directors Film Company director Rob Quartly and dop Rene Ohashi shot a day for McCain Pizza Pockets through Granicus Productions. Attalai edited.

Quartly and Ohashi had another day for Sears Canada through y&r. Greg Edgar edited at Stealing Time.

Quartly and dop George Willis landed a one-day Elph Camera job out of Lackey Communications. Norm Odell handled the edit at Flashcut.

Director Bruce Hunter and Willis had a day on location with Wayne Gretzky at his restaurant for Post Cereal. The assignment was out of bbdo and Gord Koch cut the spot at Flashcut.

Willis shot and directed a one-day job for McDonald’s Tex Mex through Cossette. Edgar edited at Stealing Time.

Director Laura Belsey and dop Willis had a day for Warner-Lambert’s Lubriderm through J. Walter Thompson. Alex Eaton edited at Stealing Time.

Winnipeg’s Credo Productions director Shereen Jerrett shot three spots in the same number of days for Assiniboine Credit Union through Brown Communications Group. Greg Nosaty cut at MidCanada Production Services.

International Shooters director/ dop John Davis landed a two-day Tim Horton’s job out of Enterprise Creative Selling. Zaharatos cut the spot.

Director Peter Bloomfield and Van Lint had two days on a Tim Horton’s soup spot out of Enterprise and Zaharatos edited.

Zoo tv director Brad Walsh and Miller shot two spots for Weetabix out of Anderson Advertising. Zaharatos edited.

Walsh teamed up with Keenan on a three-day shoot for the Toronto Star through Enterprise, with Zaharatos again making the cut.

Zoo director Peter Benson had a day for the Canadian Living Foundation’s Breakfast for Learning program. The :30, lensed by Lake, relays the importance of food and learning for children. Wells edited at Chameleon.