At Spy Films, director Pete Henderson is shooting three days with dop Sean Valentini for a new Molson Canadian campaign through M2. The spots will be edited by Gillian McCarthy at Third Floor and produced by Shannon Barnes. Subsequently, Henderson will handle a second year of Pontiac.

At The Directors Film Company, Robert Quartly directed one day for Whitehall Robins’ Advil brand through Young & Rubicam. dop was Andre Pienaar, producer was Mary Ann Tevlin and Flashcut’s Chris Parkins edited.

The Partners’ Film Company director Mitch Gaborie shot one day with dop Barry Parrell for Pontiac through MacLaren McCann. Trudy Turner produced and Ross Corindia edited at Partners’ Post.

New York-based director and stills photographer Michael Luppino will shoot three days for Borden Catelli through Cossette. George Willis is on camera and Nancy Lee is producing. Panic & Bob’s David Baxter will edit.

Gregory Sheppard scored two days for Scott Paper through J. Walter Thompson. Willis is dop, Charlene Sanderson is producing and Jeff Bessner of Partners’ will edit.

comm.bat films’ Boris Damast shot two days for High Liner through MacLaren McCann, with Nicholas Allen-Woolfe handling dop duties. Executive producer was Mark Bisson and Chameleon’s Andy Attalai edited.

Out of Miami, Gus Fiorenza directed two days with cameraman Richard Henkels for Bell South through Sanchez & Levitan. Executive producer was Miguel Urdaneta and post was handled through Wild Child in New York.

Vadim Perelman directed three days for hmr’s Allegra through smw. Henkels was on camera, Bisson executive produced and David Hicks edited at Panic & Bob.

At Apple Box, director Carlos Rusansky shot one day in Vancouver for Big 3 Lotteries through Palmer Jarvis with X-Files dop John Joffin. Post was handled at Post Haste and on Flame at Northwest Imaging and Effects.

Radke Films director Philip Kates shot three days on location in Toronto and Halifax for Canada Tourism through Vickers & Benson. dop was Gabor Tarko and executive producer was Scott Mackenzie. Editing was handled by Baxter at Panic & Bob.

Martin Shewchuk directed two days on location for Cheer through Leo Burnett, with Pienaar on camera. Tina Petridis was executive producer and Panic & Bob’s Andy Ames edited.

Shewchuk teamed up with Tarko for a two-day shoot for Hershey through Bozell Worldwide. Petridis executive produced and Ames edited.

At Kessler Irish Films, Ron Baxter Smith was director/dop on a one-day assignment for Gaviscon through smw. Ron Grittani executive produced and Alex Eaton edited at Third Floor.

Baxter Smith also directed and shot a day for Fruit of the Loom underwear through Leo Burnett, with Grittani executive producing and Eaton editing.

Coyote Films’ Ken Kuramoto directed three days in Vancouver as well as developing and writing creative for Eron Mortgage Corporation. Cameraman was James Tocher and Rick Luch produced. Offline was handled at Coyote and Finale Editworks was responsible for online.

-Correction

In the last Commercial Directions, an item on Avion’s Neilson spot should have listed Marie Robertson as producer, not agency producer, and Paola Lazzeri as executive producer.