Shirley Bowers, the company’s VP of sales and acquisitions for North America, discusses boarding Blood Horn with DCTV and opportunities in the Canadian market.
The auteur gained an international reputation for uncompromising, publicly funded films, and continues to build his body of work with more mainstream projects.
The storied Canadian institution works to balance Norman Jewison’s original vision with a mandate to equip alumni for a globalized, digital media economy.
Industry players like Telefilm Canada and CBC are coming up with some new ideas to help solve an age-old problem.
In the final part of our indie filmmaking series, the Kayak to Klemtu filmmaker discusses fostering new voices and the need to deliver Indigenous content to Indigenous audiences.
In part three of our indie filmmaking series, Wildling Pictures and director Robin Aubert discuss the decline in short-film funding and what it means for the next generation of creatives.
In part two of our series on indie filmmaking in Canada, we chat with Matthew Johnson and Matthew Miller about Talent to Watch and reshaping the business from the inside out.
In the first of a four-part series on indie filmmaking in Canada today, Playback talks to Kathleen Hepburn and Elle-Maija Tailfeathers about new funding and uncertain distribution.
With the Toronto International Film Festival set to kick off its 43rd edition, its outgoing CEO Piers Handling considers his legacy and the festival’s future.
With De Filippis’ short For Nonna Anna and Ouaknine’s work on fan-favourite Carmilla, both creatives are crafting LGBTQ+ narratives that play against stereotypes.
Through projects like River of Silence and her upcoming documentary and narrative projects, the writer/director/producer aims to empower Indigenous women.
After more than 20 years as a sought-after script supervisor, this creative is rebranding herself as a director.