Marblemedia

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CBC shells out for marblemedia’s next project

Production is now underway in New Brunswick’s Bay of Fundy for a reality competition that pits sand sculptors against the rising Atlantic Coast tide.

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Producers weigh desire to return to work quickly with practical realities

As signs emerge that a return to production could be in sight, producers are examining the complex question of how and when to resume filming on specific projects.

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Building Landscape Artist of the Year Canada

Blue Ant Media’s Sam Linton and marblemedia’s Matt Hornburg discuss the path to the Canadian adaptation of the hit U.K. competition series.

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All-Round Champion gets an early renewal

TVO and BYUtv have greenlit the marblemedia-produced unscripted series for a second season ahead of its March broadcast premiere.

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marblemedia looks to true crime, warfare with in-development titles

The prodco is looking to branch into a number of new sub-genres as it expands its factual slate.

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Netflix takes Restaurants on the Edge worldwide

The factual series, produced by marblemedia and OutEast Entertainment, launches on Netflix internationally on Feb. 28.

The Other Boy novel

marblemedia options transgender novel The Other Boy

Co-CEO Mark Bishop says the adaptation deal for M.G. Hennessey’s novel is part of a larger scripted push in 2020.

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Blue Ant orders hour-long docuseries Restaurants on the Edge

The unscripted format from marblemedia and OutEast Entertainment will debut on Cottage Life in January.

Landscape Artist of the Year Canada

Cameras roll on Landscape Artist of the Year Canada

Co-commissioned by Blue Ant and CBC, the competition series will launch on Makeful in early 2020 before heading to CBC for a second window.

All-Round Champion

marblemedia greenlit for All-Round Champion

Set to air in early 2020, the adaptation will see 10 accomplished North American athletes competing outside of their comfort zones.

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How increased funding flexibility is creating forward momentum

From Playback magazine: expanded funding triggers are creating new paths to market for producers and creators in a slow-moving broadcast environment.

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Should there be some ‘DIY’ in your kids-content mix?

Children are consuming more homemade content from vloggers and YouTube personalities than ever, but what does the trend mean for producers?