Emile Gaudreault’s French-language fantasy-comedy has been able to entice Quebec audiences, earning $6.3 million at the box office.
How a carefully-crafted development slate, including Crave mockumentary New Eden and CBC Gem’s Jensplaining, keeps Peacock Alley thriving in Canada’s competitive landscape.
The CBC/Radio-Canada president and CEO discusses how she is building a pubcaster for the future.
After building an expansive global enterprise over the past eight years, Michael MacMillan’s company is going all-in on its North American strategy.
One of Canada’s most respected directors, Skogland’s career climbed to new heights in 2018 with The Handmaid’s Tale.
The CEO of Thunderbird Entertainment had a boffo year, transitioning from CEO of Atomic Cartoons to the leader of its newly public parent company.
The unique female-led STEM series, and Playback’s Kids Show of the Year, achieved global reach in 2017.
A pair of police comedies helped Playback’s Distributor of the Year thrive in an increasingly challenging exhibition market.
A darker, contemporary twist on a classic helped this CBC/Netflix series, and Playback’s TV show of the year, resonate globally during turbulent times.
A story of media, merch and microbrews: Letterkenny is Playback’s best-marketed TV brand of 2017.
With two shows travelling the world, more projects in the wings, and Kew Media’s recent endorsement, Playback’s Prodco of the Year is gearing up for an even bigger 2018.