The Toronto-based animation company had a big year by focusing on long-haul IP that is expected to keep paying off for the next several years.
How marblemedia’s hit glass-blowing competition series ignited the prodco’s unscripted strategy.
After successfully breaking into primetime drama and kids TV, the film producer charts the next steps for First Generation Films and herself.
The John Morayniss-led studio has attracted a range of artists and business partners in year one, solidifying its value proposition as a global content hub in Canada.
In the span of a year, the Sphere Media-produced series has been lauded at home and abroad by critics and audiences alike.
The Pixcom-produced Club Illico dramedy has enjoyed awards, critical kudos and international sales success in the past year.
Shamier Anderson and Stephan James, co-founders of The Black Academy and Bay Mills Studios, want to level up the Legacy Awards and help creators.
Polley’s adaptation of Miriam Toews’ Women Talking was the toast of TIFF and is an awards season contender, landing her in Playback’s Best of the Year.
The APTN CEO wants to keep the network flexible as opportunities emerge for Indigenous-led storytelling.
The powerhouse producers behind Letterkenny have their sights set on a comedy brand empire, fuelled by quality content and market savvy.
How the CMF is steering its ship toward a different model.
The Reelworld Screen Institute founder is finally finding support for the industry-building ideas she planned over two decades ago.