The influence of the executive director of the Indigenous Screen Office has never been greater since stepping into a new role as the chair of the Canada Council of the Arts this summer for a five-year term.
The star of CTV’s Transplant has emerged as one of Canadian television’s leading lights, garnering international acclaim and shifting the way Muslims have historically been portrayed on screen.
The historic Schitt’s Sweep was the height of a game-changing year for Canadian television as international appetite for Cancon climbed to new heights.
Tom Cox and Jordy Randall feared the pandemic could spell the end for SEVEN24. Here’s how they adapted, rebuilt their entire production slate and put themselves in a position to grow in 2021 as the industry navigates insurance issues, Bill C-10 and more.
This year has seen Thunderbird Entertainment’s kids and family division continue to thrive with an impressive body of work and other big achievements.
Viral moments and a spotlight on Canada’s unique drag culture made Canada’s Drag Race an unquestionable hit for Crave and producer Blue Ant Studios.
How the coming-of-age drama from Streel Films and Sienna Films has created a new narrative around Indigenous storytelling and become a red-hot commodity in an international marketplace hungry for new voices.
The Minister of Canadian Heritage has helped the production and broadcast sector navigate unprecedented challenges, and tabled a historic bill to modernize the Broadcasting Act.
The HGTV Canada star took a chance with his personal business and pitched Island of Bryan, the channel’s biggest ratings hit in a decade.
Quebecor Content’s Yann Paquet and Fair-Play’s Guy Villeneuve reflect on how the dance format has quickstepped its way to success both at home and abroad.
How Bell Media is reimagining Canada’s preeminent network for a digital era.
The man behind Canada’s homegrown cultural phenomenon Schitt’s Creek topped a life-changing year with a surprise Emmy nomination and a major studio deal.