How Bell Media is reimagining Canada’s preeminent network for a digital era.
The man behind Canada’s homegrown cultural phenomenon Schitt’s Creek topped a life-changing year with a surprise Emmy nomination and a major studio deal.
Emile Gaudreault’s French-language fantasy-comedy has been able to entice Quebec audiences, earning $6.3 million at the box office.
How a carefully-crafted development slate, including Crave mockumentary New Eden and CBC Gem’s Jensplaining, keeps Peacock Alley thriving in Canada’s competitive landscape.
The CBC/Radio-Canada president and CEO discusses how she is building a pubcaster for the future.
After building an expansive global enterprise over the past eight years, Michael MacMillan’s company is going all-in on its North American strategy.
One of Canada’s most respected directors, Skogland’s career climbed to new heights in 2018 with The Handmaid’s Tale.
The CEO of Thunderbird Entertainment had a boffo year, transitioning from CEO of Atomic Cartoons to the leader of its newly public parent company.
The unique female-led STEM series, and Playback’s Kids Show of the Year, achieved global reach in 2017.
A pair of police comedies helped Playback’s Distributor of the Year thrive in an increasingly challenging exhibition market.
A darker, contemporary twist on a classic helped this CBC/Netflix series, and Playback’s TV show of the year, resonate globally during turbulent times.