The BSO's trailblazing research initiatives have laid the groundwork for their "bold" strategy to create real change in Canada's screen sect...
The Porter presented a lot of firsts for the duo, who say it won't be a "one-off" in terms of representation.
The Toronto-based animation company had a big year by focusing on long-haul IP that is expected to keep paying off for the next several year...
How marblemedia’s hit glass-blowing competition series ignited the prodco’s unscripted strategy.
After successfully breaking into primetime drama and kids TV, the film producer charts the next steps for First Generation Films and herself...
How the Rogers-owned channel is using its original "spunky and local" DNA to succeed.
The John Morayniss-led studio has attracted a range of artists and business partners in year one, solidifying its value proposition as a glo...
In the span of a year, the Sphere Media-produced series has been lauded at home and abroad by critics and audiences alike.
The Pixcom-produced Club Illico dramedy has enjoyed awards, critical kudos and international sales success in the past year.
Shamier Anderson and Stephan James, co-founders of The Black Academy and Bay Mills Studios, want to level up the Legacy Awards and help crea...
Laurie Ferneau, SVP, original programming, discusses working with Canadian producers and creators on latest originals Ride and ...
Polley's adaptation of Miriam Toews’ Women Talking was the toast of TIFF and is an awards season contender, landing her in Playba...
The APTN CEO wants to keep the network flexible as opportunities emerge for Indigenous-led storytelling.
As streamers ease up on global rights in a tough economy, new copro windows are emerging, making global partnerships more crucial than ever.
The powerhouse producers behind Letterkenny have their sights set on a comedy brand empire, fuelled by quality content and market s...