A selection of predictions from this year's Best of the Year winners, who wade in on what they think and wish will come true in 2022.
Recent data from Parrot Analytics offers insight about what Canadians are watching and what homegrown content is most in demand.
The division of Corus Entertainment ends the year with a new sales record, buoyed by an expanded sales team, and enters 2022 looking for 'le...
Forged from the comradeship and combined ambition of Matt Hornburg and Mark Bishop, marblemedia commemorates 20 years of growth.
We examine different and sometimes clashing perspectives on striking a balance between the costs and benefits of foreign location service pr...
How the CMF is steering its ship toward a different model.
The Reelworld Screen Institute founder is finally finding support for the industry-building ideas she planned over two decades ago.
The Quebec feature launched on Netflix after amassing $2.1 million at the box office.
Unmasking the success of TVA’s shiny floor success and how it all plays into the plan to reach large audiences, and engage young viewers.
Her dystopian debut feature film Night Raiders made a celebrated trip around the film circuit and broke box office records.
The global streamer made headlines throughout 2021 as it unveiled its Canadian strategy and hired its first domestic content executive – a...
The Toronto-based unscripted entertainment producer found real success in format adaptations and building on its star power, confident in th...
After a tough two years, WildBrain is on the road to recovery fueled by brand building, creativity and global business development monetizin...
The showrunner of the year is unafraid to voice and act on inequities in the screen industry while creating a positive, fun and safe environ...
How does she follow the global success of Schitt’s Creek, Kim’s Convenience and Workin’ Moms? CBC’s general manag...