Spring/Summer 2022

Reasons for optimism when it comes to francophone TV sales

A look at the factors helping French-Canadian content increase its impact, including a growing international taste for non-English-language ...

The political satirist and author talks about working with small budgets, his hopes for Canada's film industry, and his advice for emerging ...

Oscars reflects on his illustrious 50-year career working with stars including Victor Garber and Andrea Martin, and looks ahead to the indus...

Andrea Martin’s work on SCTV would be enough to guarantee her immortality, but she has also amassed award-winning credits on stag...

Whether building broadcast networks or creating legendary franchises, for Boyce it was always about the audience.

The Edmonton-headquartered network reflects on a bumpy 15 years of operations, culminating in what it touts as its best year ever.

Our latest survey results show an indie production sector on the upswing from the COVID-19 pandemic, with producers eager to build their bus...

It’s not easy to change the way an entire industry thinks and works. But, when it comes to addressing environmental concerns, the needle i...

Two years into the pandemic, international TV sales may have become more complicated, but Canada is holding its own.

How the Canadian Screen Awards are striving to reinvent themselves at the 10-year mark.

A look at how Canadian Screen Award nominee Wildhood is using tools, including an FYC campaign, to gain attention after another yea...

Producers behind Dawn, Her Dad and the Tractor and White Elephant talk about handling distribution on their own.

The Roku Channel is crafting a content strategy that capitalizes on consumer interest in AVOD.