Salah Bachir is a colourful personality – and a force in the Canadian cinema space.
Lebanon-born, Toronto-based Bachir first got into the film biz on the periphery through consumer and B2B magazines on the movie industries. He turned those industry contacts forged as a publishing entrepreneur into audiences for the annual Focus on Video trade show in the ’90s, and then launched a company in partnership with Famous Players Cinema to handle in-theatre ads and cultivate marketing relationships – a role he continues today under a new banner after the now-defunct chain was purchased by Cineplex in 2005.
Patron of the arts, he recently added the title of OCAD University chancellor, where he’ll work with students and the university to help raise its profile. He’ll also act as a role model, says Sara Diamond, OCADU president. “We want to see students feel that they can sustain their identities as they become creative people,” she says. “Salah is a person who came to Canada as an immigrant, built a very successful life and career for himself, and has taken that success and used it to help philanthropies and communities in need – whether it’s the LGBTQ2 community, or the diversity community.”
Indeed, as Bachir’s industry cred grew so too did his participation in the philanthropic space, particularly in support of film, arts and LGBTQ2 communities.
Over the years, he’s helped raise millions for the Canadian Film Centre, The 519 Community Centre, St. Joseph’s Health Centre and the Art Gallery of Ontario (just to name a few) through personal donations and the acclaimed Gala Salah fundraising events he chairs.
On Sept. 27, he’ll be honoured alongside his husband with his very own “screening room.” The Salah Bachir and Jacob Yerex Screening Room at Toronto cultural hub 401 Richmond Street West will showcase Canadian artists’ film and video work. Earlier this year, Bachir was named the international outstanding volunteer fundraiser by the Association of Fundraising Professionals – a global award. He was awarded the Order of Canada in 2016; was given the corporate leadership award by Best Buddies (an organization that works with people with disabilities); won the Canadian Centre for Diversity’s human relations award in 2012 and received a lifetime achievement award at the Toronto Pride Gala in 2009. He now adds to these titles Playback’s 2017 Humanitarian of the Year.
He has amassed many other trophies – one would be overwhelmed by a visit to his award room – but the point is clear: Bachir has spent an exceptional amount of time and effort making the world a better place.
Talking to Bachir, it becomes obvious that the philanthropist and cinema exec is trying to create a more inclusive, humane world. His first foray into causing change came in the early ’80s during the AIDS crisis, prior to having the wherewithal to personally financially support initiatives.
“I was involved with the setup of the Canadian Foundation for AIDS Research,” recalls Bachir. “I got to know a lot of people who did have money and were willing to give it. If you had a good cause, a good argument and were able to say where it goes, people were very generous.”
By 1996, when filmmaker and artist Elle Flanders became the executive director of the Lesbian and Gay (now Inside Out) Film Festival, Bachir had become a success in the film business as his B2B publication Premiere had become a go-to magazine for the video industry. Fueled by activism, Bachir and his colleague John Bailey, then-president of Famous Players, helped Flanders in her quest to raise the profile of the festival.
After The Lesbian and Gay Film Festival moved to the then-fashionable Famous Players-run Cumberland theatre in Toronto’s Yorkville neighbourhood in 1997, Flanders asked Bachir if he and Famous Players could help promote the festival’s new location through the movie pre-show ads in Toronto. Bachir agreed and to Flanders’ surprise, “he paid for it,” she says, explaining he donated the cinema media buy for the promotional campaign. “You can imagine that was a huge amount – it never came with a number.”
After he joined the festival’s advisory board in 1996, Bachir became friendlier with fellow board member and filmmaker John Greyson, whom he’d met earlier at art galleries and film openings. He was instrumental in turning Greyson’s Lilies into the Genie winner for best picture. The highlight of the film is the arrival of a woman in a hot air balloon in 1912 rural Quebec.
“The budget was short; we were going to have to cut the hot-air balloon out,” says Greyson. “Salah stepped in and paid for it. We are eternally grateful for what, for us, was a real iconic centrepiece of the film.”
Bachir is also a long-time supporter of the LGBTQ2 community centre at 519 Church Street in downtown Toronto. He became the honorary patron after chairing a capital campaign that raised more than $6 million, transforming the space in 2010 into a beautiful facility, which hosts Fabarnak, a restaurant and catering service that acts as a revenue generator for the centre and employs many people in the community.
His personal contribution was more than $1 million, not to mention the countless hours spent making it successful, including his famous Gala Salah events – so named after their patron.
“For the first gala [held] for 519 in 2005, I asked Eartha Kitt if she’d come to Toronto and perform. She arrived day-of at 11:30am and said, ‘Salah, I know you said to different people you hope I’m not drunk when I go on. Well, I’ve stopped drinking. I haven’t been drunk when I go on for years.’ I said, ‘That’s wonderful.’ We went to lunch and she ordered a double martini,” Bachir remembers with a laugh. Kitt was terrific that evening, notably raising $10,000 by simply sitting on the lap of a donor pointed out by Bachir.
But the acclaimed Gala Salahs have been running since well before his time with 519. First launched in the ’90s for the annual Focus on Video award nights, over the years the fundraising events have featured entertainment by stars like k.d. lang, Andrea Martin and Jackie Richardson.
The first night focused on Canada, with performances from Tony Bennett and André-Philippe Gagnon. “We gave awards to Norman Jewison and Christopher Plummer and Ginger Rogers – people in the film industry who we wanted to pay tribute to – and the money we raised went to the Variety Club. We’ve always wanted to draw on Canadian talent.”
One of Bachir’s other major causes has been St. Joseph’s Health Centre. Maria Dyck, president of St. Joseph’s Health Foundation, recalls meeting Bachir, whose kidney related condition requires him to use dialysis daily, and says he noticed the TVs in the hospital were old and noisy. He wanted to replace them right away, Dyck says.
“He asked, ‘How much would they cost?’ Because they’re televisions in a hospital setting they’re quite expensive, it’d be about $200,000 to put them in both our dialysis centres and in our chemotherapy unit.” He offered to send out a few emails, she says. “He called me two weeks later, and said, ‘Maria, I’ve raised $210,000.’”
He’s since spearheaded the funding of a new dialysis centre, set to be complete in December. “And it’s not even the dialysis centre that he uses,” Dyck adds. “He’s the kind of guy who always sees the possibility, and he’s prepared to work to get there. He has many friends – generous people like him – and he’s a very enthusiastic asker. He likes making things better for people.”
Playback’s Canadian Film & Television Hall of Fame was founded in 2007 to recognize extraordinary achievements in the Canadian entertainment industry. Inductees are selected by a jury of their peers.