Hugh Dillon is nominated for a best actor Gemini for his leading role as the tormented detective Mike Sweeney in Durham County. Season one of the dark series from Montreal’s Muse Entertainment and Toronto-based Back Alley Films shot in Montreal in late 2006.
Natalie Brown is nominated for a best actress Gemini for her role as Sophie Parker in the first season of CBC’s successful comedy Sophie, produced by Jocelyn Deschênes, president of Montreal-based Sphère Média Plus.
Dragons and Tigers: The Cinemas of East Asia is a cornerstone of the Vancouver International Film Festival, and this year’s selections showcase work by young, first time filmmakers from East Asia even more than usual.
Music supervisors from Weeds, Ugly Betty, Sony and ABC watching for acts to put on screen
CBC ratings are up, and one of the major secrets to the public broadcaster’s recent success is a marked shift in its approach to marketing and promotion.
Digital 3D is on the cusp of a major growth spurt, and Bill White, former president of equipment supplier William F. White International, and Ken MacNeil, president of Creative Post, are helping to make sure Canada is part of it.
Organizers look to keep 6,000 fans happy for the cameras and as close as possible to acts including Rihanna, Hedley, Girlicious and Simple Plan
Awards gala will have a ‘fossils meet fossil fuels’ look, says 14-time producer John Brunton, looking to regain some numbers
The federal government raised some eyebrows when it opted to outsource the executive search to replace CBC chief Robert Rabinovitch, who leaves his post Nov. 20.
Ten years ago, when websites were little more than an afterthought for most TV producers, the Bell Broadcast and New Media Fund was established to encourage digital media innovation and closer collaboration between the television and digital industries.
Degrassi: The Next Generation has become the first TV program available on a pay-per-download basis in Canada through Puretracks.com.
The Toronto International Film Festival makes history this year with the launch of what is being touted as North America’s first interactive dramatic feature, Late Fragment, wherein the audience is an active participant in the film, shaping its narrative with a simple click.