The original series from Take the Shot Productions and ASAP Entertainment is greenlit for another season as its second sets to premiere.
A note from Playback editor Katie Bailey as she heads out on a mat leave and how this fall’s issue reflects Canadian content creators’ desire and ability to stand out in the crowd.
The CRTC has delivered on its promise to make key changes to the provisions governing Certified Independent Production Funds, including funding triggers, points and co-venture eligibility.
Why creator-director-producer and star Catherine Reitman (pictured) calls CBC the “perfect home” for the series and how it will target a co-viewing audience.
Following a breakout first season, the Global TV series from eOne will get an increased order.
The newly acquired Boat Rocker Media subsidiary has entered an agreement to acquire “substantially all of the business” of the troubled animation studio.
The division of Boat Rocker Media has boarded the first round of funding for tech-journalism guru Joshua Topolsky’s new project.
Behind Bell Media’s big Star Trek win and why high-profile deals and international relationships matter more than ever in TV today.
Final data shows both series outperforming their 2015 premieres, earning close to half a million viewers each. (Dark Matter pictured.)
The Orphan Black star adds to her long list of achievements with her second Emmy nomination in a row and Thomas Middleditch gets a nod for lead actor in a comedy series. (Updated.)
Execs from Blue Ant, eOne, A+E Networks and Vice debate the merits of data over instinct and the potential of platform-specific content.
Day three at the Banff World Media Festival sees HBO dominate the session lineup, with key execs discussing talent-attraction strategies and new series.