At The Partners’ Film Company, director Ali Selim had two days for Hillshire Farms through Euro RSCG Tatham, Chicago. James Gardner was the dop and editing took place in the u.s.

Director/dop Greg Hoey landed two days for Metamucil out of Grey Advertising. Gerry Banning edited at Partners’ Post.

Director Kari Skogland and Gardner teamed up for two days of Pillsbury through Leo Burnett. Chris Brook handled the cut at Partners’ Post.

Director Fernando Arrioja and dop Mike Andringa landed two days for the Canadian Cancer Association through MacLaren McCann. Steve Manz edited at Partners’ Post.

Don Guy was director/dop on a day for Dentabone and Grey Canada. Brook edited.

Director/dop Larry Hutson picked up a one-day Esso job through Goodgoll Curtis. Manz handled the post.

Director Lisa Mann and dop Miroslaw Baszak shot two days for madd out of Saatchi & Saatchi. Mark Morton edited at Partners’ Post.

Alan Marr directed two days for Greenpark out of Blade Marketing. Harry Lake was behind the camera and Brook edited.

Director Goeff Ayres got together with dop Rene Ohashi for a day of Michelina’s through The On-Going Partnership. Manz edited.

Christina Hodnet directed three days for Claritin out of Cossette. Andringa was the dop and Morton edited.

Andringa shot and directed a day for Union Energy through Griffin Bacal Volny. Gary Thomas edited at Axyz.

Director Raymond Bark and dop Paul Tolton shot two days for cibc out of Padulo Advertising. Banning posted.

Bark had a day of Petit Danone through Young & Rubicam. Baszak was the dop and editing took place in the u.s.

Director Michael Cerny and cameraman Randall Gregg picked up two days of Connex through dmb&b, Romania. Jeff Bessner edited at Partners’ Post.

Director Eric Yealland and dop Dylan MacLeod teamed up on a two-day job for Dymo Letratag through Publicis, New York. Post was done in the u.s.

Gregory Sheppard directed while Baszak shot a day for Mennen though y&r. Banning edited at Partners’ Post.

Director/dop Ian Leech landed a three-day job for Sprint and Grey Advertising. Ames edited at Panic & Bob.

Generator director Jef Renfroe teamed up with dop George Morita on a day for General Mills out of Cossette. Robert Alldis edited at Cossette.

Director Allan Mestel teamed up with dop Stanley Mestel on a day for Zenith Insurance out of Ogilvy One. Alex Eaton edited at Stealing Time.

The Mestels were together again on a two-day Crispers shoot through fcb. Grant Pye posted at Third Floor.

Director/dop Derek Case shot six days for Pepsi through bbdo, Mexico. TOPIX/Mad Dog created the animation and Greg Edgar edited at Stealing Time.

Maxx Productions director Larry August had two days for International Home Foods Canada’s Chef Boyardee. Gabor Tarko was behind the camera and Eaton handled the post.

At The Big Film Company, director/dop Rhett Morita picked up two days for Open Dialogue through Black & Co. James Taylor edited at Big.

Director Christian Fennell and dop Eric Thomasson had a day for Kellogg’s, as did director/dop George Willis. Leo Burnett came up with the creative and Dave Greenham posted both jobs at Big.

Ariane Smith directed and Nick Allen-Woolfe lensed a day for Clean & Clear through Palmer Jarvis ddb. Taylor handled the cut.

Revolver director/dop Larry Hutson shot a day for Wal-Mart out of Publicis/smw. Barry McMann edited at Third Floor.

In Vancouver, Aviator Pictures director Phil Brown landed a one-day job for Molson Canadian. The creative, out of Glennie Stamnes Strategy, features Kids in the Hall comedian Kevin McDonald in a parking lot during a basketball game. John Houtman was behind the camera and Dave Thompson handled post at Coast Mountain.

Industry Films director Vadim Perelman and dop Barry Parrell got together on a day for Imperial Margarine out of o&m. Ames edited at Panic & Bob.

Avion director Ray Dillman got the call on a two-day job for Bell Canada out of Cossette. Alar Kivilo was the dop and Eaton edited at Stealing Time.

Director Martin Granger teamed up with Kivilo on three days for Kellogg’s out of Leo Burnett, London. Brian Noon edited at Flashcut.

Director Henry Holtzman and dop Gardner were in South Africa for a day of Cadbury through Leo Burnett. Leo Zaharatos edited at Chameleon.

At The Player’s Film Company, director Steve Surjik teamed up with dop MacLeod for two days of Proctor & Gamble out of Saatchi & Saatchi. Brian Williams edited at Panic & Bob.

Director Christopher Gentile and dop David Makin had five days for Pressman through Berenter Greenhouse & Webster. Post was done in the u.s.

L.T.B. Productions director Jeff Jones landed a two-day job for BC Tel through Cossette. Houtman was behind the camera and Jayne Berry edited at JMB Post.

MJM Productions director Colin McKay and dop Yuri Yakibuw had two days for Mandarin Restaurants. No agency was involved and editing was handled in-house by Bill Crocker.

Spy Films’ Pete Henderson directed and Doug Koch was behind the camera on a Bank of Montreal job through Vickers & Benson. t/md’s James Cooper completed five days of post/effects in Flame and Ames edited at Panic & Bob.

Henderson also teamed up with dop Sean Valentini on two spots for Glaxo’s Zyban through o&m. Cooper handled post/effects and Ames edited.

At Smash Editorial, Barry Farrell cut two Just for Feet spots through Saatchi & Saatchi, New York, to air during the u.s. broadcast of the SuperBowl, and a :30 for Enron out of o&m, New York.