Secret Location
How Secret Location took on The Great C
The eOne-owned studio continues to push the boundaries of virtual reality with its 30-minute “cinematic VR narrative” based on the short story by Philip K. Dick.
CMF awards $6.1M across 31 digi projects
Toronto’s Secret Location received funding for two games and one interactive media project through the funder’s Experimental Stream Innovation Program.
Ron Mann’s Carmine Street Guitars to debut at Venice
Two Canadian virtual reality projects have also been selected to compete at the Italian festival.
CMF awards $9.5M across 12 digi media projects
VR projects from Secret Location and Cream Digital are among those selected to receive support through the funder’s Experimental Stream – Innovation Program.
CMF invests $6.2M across 27 digital media projects
Sinking Ship Entertainment, Secret Location and Zone3 are three of the companies that received development coin for upcoming projects.
Secret Location cranks up the volume with Banger Films
A new VR experience co-produced by the Toronto companies takes viewers to the Wacken Open Air heavy metal festival in northern Germany.
Minority Media, Secret Location tap CMF coin
Thirteen companies received a share of $10.2 million through the funder’s Experimental Stream Innovation Program.
OMDC backs 97 companies through IDM fund
With more than $500,000, Secret Location walked away with the most coin to help finance three digital projects.
How Secret Location made Halcyon a reality
A deal with Syfy took the hybrid digital/VR series to 80 territories globally, garnering acclaim for its novel format. Now, it’s been optioned for an hour-long TV version.
CMF awards $19.5M across 31 digital projects
Secret Location’s VUSR platform received the largest chunk of change, with $1.1 million going to fund the VR distribution tool.
Deals: Showcase, eOne, Playster, Indiecan
Playster links up with Hasbro, Secret Location’s Halcyon lands Canadian distribution, plus more deals.
Best of the Year: Secret Location
After spending seven years as a predominantly service-based company, the digital content studio is putting its eggs in the original-IP basket.
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