Bob Moore

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EyeSteelFilm heads to Hot Docs with largest-ever slate

With five films at this year’s festival, the Montreal prodco talks about the challenges of managing long-haul projects.

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I Am the Blues picked up for U.S. theatrical

The feature-length documentary, produced by Montreal’s EyeSteelFilm, is also set for a digital and home-video release via New York-based distribution outfit Film Movement.

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Canadians talk storytelling from Sundance

In conversation from Park City, the filmmakers behind Indie Game: The Movie and China Heavyweight talk about developing their festival projects.

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Will nets spend doc money on dramas?

As English Canadian documentary filmmakers struggle to wrap their heads around the exigencies of the Canada Media Fund’s POV program, a more worrying question looms on the horizon: have broadcasters used the CMF’s new 50% flex rules to finance dramas instead of documentaries?