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Whole Foods, AME get adventurous with Wild Kratts

The PBS Kids series has new licensing deals with Whole Foods and clothing company American Marketing Enterprises.

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OHM expands into U.S. with development office

Our House Media has opened an office in Brooklyn and tapped Cat Hoskin (pictured, right) to serve as U.S. director of development. (Left: OHM CEO and co-founder Simon Lloyd.)

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Vice Canada’s digital arm targets Quebec market

The media co’s “newfront” event Tuesday revealed the upcoming launch of Vice Quebec, expanding its digital bilingual operations. (Vice Media co-founder Suroosh Alvi pictured.)

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Playback’s 5 to Watch: 2016 nominations now open

We’re looking for the hottest up-and-coming talent in the Canadian screen production industry – and we need you to help us find it. (Free to view.)

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IMAX makes major VR moves

IMAX will develop a cinema-grade VR camera with Google, and partner with StarVR headset company Starbreeze on VR exhibits.

Morley Safer

Morley Safer passes away at 84

The veteran journalist and 60 Minutes correspondent had officially retired from the long-running CBS newsmagazine last week.

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The Calgary Film Centre officially opens its doors

The long-awaited production facility was financed via the City, Alberta government and William F. White International.

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Big Brother Canada rises in season four

The reality show on Global has seen a 7% increase in 2+ ratings over its third season, with the addition of international houseguests and a solid social presence.

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Remembering Canadian TV pioneer Ralph C. Ellis

The award-winning independent producer and distributor, and founder of Ellis Entertainment, has died at the age of 91.

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Sim Group appoints new CEO as Rob Sim steps back

The company appoints former Shop.ca CEO and media exec James Haggarty to the new role.

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Guru Arcade adds creative director

Lyndsey Gallant will provide creative direction to Guru Studios’ interactive division as it moves deeper into the original IP space.

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CPE up 5.4% in 2015, while conventional revenues dip: CRTC

The regulator’s annual breakdown of conventional TV performance shows most private CPE spend went to information programming.